Imagine Alfred Hitchcock's Rear Window, but instead of spying on the people in a building from across a Greenwich Village courtyard and speculating on what their lives are as Jimmy Stewart does, instead you're up close and personal like you have a dwelling right on the sidewalk and see and hear it all. Instead of a colorful Village apartment it's a Lower East Side tenement which today would be filled with Yuppies. But back in the Twenties when it was written you have Elmer Rice's Pulitzer Prize winning Street Scene.
Street Scene ran a very nice 601 performances on Broadway and two members of the original cast came over for the film. John Qualen and Beulah Bondi playing Mr.&Mrs. Olsen. They reminded me so much of the Kravitzes from Bewitched, Mr. Kravitz who just wanted to relax and read his paper and Mrs. Kravitz forever in everyone else's business mostly the Stevenses. Bondi was a much nastier character, still kind of funny that her own life is so empty that all she takes pleasure in is dishing the dirt about others.
The main action centers around Sylvia Sydney who with this film and Dead End established herself as Hollywood's favorite slum daughter. She's the pretty girl in the building who gets everyone's hormones in overdrive. Her lummox of a father David Landau feels trapped by middle age and a life of no special significance. So does her mother Estelle Taylor. Thanks to Bondi everyone knows about her carrying on with the milkman, except her children and husband. When Landau finds out there's tragedy coming up like an oil gusher.
The only other significant character is William Collier, Jr. a quiet and studious kid who just wants out of the slum. He's Jewish and Sylvia is Irish. Despite that Collier is the only one that Sylvia really responds to, even though others push him around and make fun of him.
Street Scene is not your melting pot slum of the East Side Kids who are from many backgrounds. Elmer Rice has a most politically incorrect work where everyone even casually refers to each other with all the ethnic slurs going. It's probably why Street Scene is not revived that often.
Yet I'm glad the film isn't lost, it should be preserved and seen as a guide to American attitudes back when it was made.
Street Scene ran a very nice 601 performances on Broadway and two members of the original cast came over for the film. John Qualen and Beulah Bondi playing Mr.&Mrs. Olsen. They reminded me so much of the Kravitzes from Bewitched, Mr. Kravitz who just wanted to relax and read his paper and Mrs. Kravitz forever in everyone else's business mostly the Stevenses. Bondi was a much nastier character, still kind of funny that her own life is so empty that all she takes pleasure in is dishing the dirt about others.
The main action centers around Sylvia Sydney who with this film and Dead End established herself as Hollywood's favorite slum daughter. She's the pretty girl in the building who gets everyone's hormones in overdrive. Her lummox of a father David Landau feels trapped by middle age and a life of no special significance. So does her mother Estelle Taylor. Thanks to Bondi everyone knows about her carrying on with the milkman, except her children and husband. When Landau finds out there's tragedy coming up like an oil gusher.
The only other significant character is William Collier, Jr. a quiet and studious kid who just wants out of the slum. He's Jewish and Sylvia is Irish. Despite that Collier is the only one that Sylvia really responds to, even though others push him around and make fun of him.
Street Scene is not your melting pot slum of the East Side Kids who are from many backgrounds. Elmer Rice has a most politically incorrect work where everyone even casually refers to each other with all the ethnic slurs going. It's probably why Street Scene is not revived that often.
Yet I'm glad the film isn't lost, it should be preserved and seen as a guide to American attitudes back when it was made.