This rarely seen (or shown) rarity from the great westerns director John Ford, was screened recently as Channel 4's weekday lunchtime movie. The film's alternative title, 'Gideon of Scotland Yard' gives us a clearer picture of where it is set and what it is about.
Not paying much attention to what it said in Radio Times beforehand, I assumed it was a Dixon Of Dock Green sort of black & white semi- documentary, along the lines of the excellent 'Blue Lamp'.
For a start, it's in colour and opens with breakfast time with the family, for Inspector Jack Gideon, all brisk and jovial. His drive to work results in going through a red light and is embarrassingly challenged by a youth PC.
From here-on in, the comedic elements dissipate as Insp Gideon's day unfolds, with phone calls and leads, all going on to illustrate 'the day in the life' that is the title. The mixture of crime is, obviously quite innocent when compared to today and the likes of 'The Bill', but this is 1958 and the censors were always prevalent, not that I'm suggesting that Ford would have set out to paint an overly colourful scenario.
The script is by Ealing Studio regular T.E.B Clarke, from John Creasey's novel and whilst it's not exactly electric, it's brisk enough, with a light tone and those of a certain age will find much pleasure in the period detail, scenes around London and the general way of doing things 'back then'.
Such viewers might have wanted to give a higher score than I am, though. To be honest, the direction could have been done by anyone proficient and whilst the studio-bound indoor sets are well done, they are just that, though also to be fair, Insp Gideon is seen going about between locations enough to remind us that he's very busy...
Finally, there is a nice John Ford sense of irony at the end though, which gives a real sense of satisfaction.
Not paying much attention to what it said in Radio Times beforehand, I assumed it was a Dixon Of Dock Green sort of black & white semi- documentary, along the lines of the excellent 'Blue Lamp'.
For a start, it's in colour and opens with breakfast time with the family, for Inspector Jack Gideon, all brisk and jovial. His drive to work results in going through a red light and is embarrassingly challenged by a youth PC.
From here-on in, the comedic elements dissipate as Insp Gideon's day unfolds, with phone calls and leads, all going on to illustrate 'the day in the life' that is the title. The mixture of crime is, obviously quite innocent when compared to today and the likes of 'The Bill', but this is 1958 and the censors were always prevalent, not that I'm suggesting that Ford would have set out to paint an overly colourful scenario.
The script is by Ealing Studio regular T.E.B Clarke, from John Creasey's novel and whilst it's not exactly electric, it's brisk enough, with a light tone and those of a certain age will find much pleasure in the period detail, scenes around London and the general way of doing things 'back then'.
Such viewers might have wanted to give a higher score than I am, though. To be honest, the direction could have been done by anyone proficient and whilst the studio-bound indoor sets are well done, they are just that, though also to be fair, Insp Gideon is seen going about between locations enough to remind us that he's very busy...
Finally, there is a nice John Ford sense of irony at the end though, which gives a real sense of satisfaction.