There's no point in serious argument about whether or not The Image is pornography, because it clearly is. Though it may not be considered hardcore pornography in the sense that there's no penetration shown on-screen, the sexual content is more explicit and shocking than any porn you've ever seen, to the point of going beyond arousing and into repulsive.
But The Image is also unmistakably art, and it's one of the few films that managed to merge the two successfully, much more so than the soft erotic dramas which were a dime a dozen in the 70's and 80's. Rather than just romanticizing sex, The Image is a disturbing and intelligent film about domination and sexual psychology, and in between the sex scenes you'll find surprising amounts of character development and a tight script (excluding the god-awful narration, which I could really do without); add to that excellent acting from the three leads - especially Rebecca Brooke, who truly sells her performance with her shockingly convincing face and body language (not to mention how gorgeous and sensual she is), and gorgeous cinematography which juxtaposes the brutal violence of the acts with the pastoral and serene French backdrops, to a truly eerie and enticing result.
It goes without saying that The Image isn't for everyone. It succeeds as pornography - being enticing and arousing even for those with barely even a fleeting whimsical interest in S&M - but it's also very disturbing and difficult to watch. But if you can stomach it, it's definitely recommended.
But The Image is also unmistakably art, and it's one of the few films that managed to merge the two successfully, much more so than the soft erotic dramas which were a dime a dozen in the 70's and 80's. Rather than just romanticizing sex, The Image is a disturbing and intelligent film about domination and sexual psychology, and in between the sex scenes you'll find surprising amounts of character development and a tight script (excluding the god-awful narration, which I could really do without); add to that excellent acting from the three leads - especially Rebecca Brooke, who truly sells her performance with her shockingly convincing face and body language (not to mention how gorgeous and sensual she is), and gorgeous cinematography which juxtaposes the brutal violence of the acts with the pastoral and serene French backdrops, to a truly eerie and enticing result.
It goes without saying that The Image isn't for everyone. It succeeds as pornography - being enticing and arousing even for those with barely even a fleeting whimsical interest in S&M - but it's also very disturbing and difficult to watch. But if you can stomach it, it's definitely recommended.