or even a scene, for that matter. She is a stiff broad in this one, right down to a short, severe stiff hairdo. I am not a huge Joan Crawford fan, although I liked her a lot more in her earlier films, when she was still loose and a bit floppy. Once she became a "star" she changed her whole acting style so she could appear, as her ex-flame says "refeened." It is a shame she couldn't just go with the flow once in a while, instead of playing herself in different occupations.In this one, she is Joan playing a tough congresswoman. But of course she does a classic Joan melt when she sees Robert Young again after all these years...heart on sleeve as always.
She enters the reunion at her old college to the strains of a song being "sung" by by the co-eds, which incorporates her name, yet sounds like a heavenly choir. The girls come forward one by one to hand her a bouquet and each one is a cliché; there is the butch athlete, the drama queen, the good girl, etc and Joan ends up clutching a veritable rose bush as she launches into a speech, gazing off into the bright and shiny future.
Of course Robert Young is now a widower. You'll have to see the movie to see if his marital status changes.
This movie is a fifties movie, in that it is prim, everyone is a cliché of a type, right down to the wise-cracking assistant (Eve Arden)and the women are stuck with the hairdos and clothes of the period, which were never flattering to anyone.
But if you are a Joan fan, she is here, in her glory.
She enters the reunion at her old college to the strains of a song being "sung" by by the co-eds, which incorporates her name, yet sounds like a heavenly choir. The girls come forward one by one to hand her a bouquet and each one is a cliché; there is the butch athlete, the drama queen, the good girl, etc and Joan ends up clutching a veritable rose bush as she launches into a speech, gazing off into the bright and shiny future.
Of course Robert Young is now a widower. You'll have to see the movie to see if his marital status changes.
This movie is a fifties movie, in that it is prim, everyone is a cliché of a type, right down to the wise-cracking assistant (Eve Arden)and the women are stuck with the hairdos and clothes of the period, which were never flattering to anyone.
But if you are a Joan fan, she is here, in her glory.