The tone is the real star of this Three Stooges movie, as is the case with most Farrely Brothers films. Despite actions that would be considered violent in the real world, the mood is whimsical and cartoonish. Typical of this is a moment where someone in a full body cast is "turtling," hiding from the stooges by impossibly ducking his head and extremities into the cast.
Having been exposed to a few reviews and viewer opinions before seeing the film, I was shocked by one thing. People had repeatedly said that the structure of three short films was a distraction and it should have instead been one single story. This causes me to question the sanity of those people and their most basic comprehension. The movie is merely decorated with a few "short film" title cards in the fashion of the old shorts; the movie is indeed one premise and follows a conventional narrative like any other feature. It's key plot is essentially the same as The Blues Brothers - the orphanage is in financial trouble and the boys have to raise money to save it.
They manage to have some interesting and organic story twists along the way. Most inspired is the idea of a Stooge pulling up a gangster's droopy-drawers.
Now some people might have to adjust to the throw-back terminology that is carried over from the old black and white films. But oddly within the context of the movie what seems anachronistic is a moment where Moe refers to an English butler as "Threepio." Even though it is a contemporary reference, it stands out against the 1930's vaudeville style of most stooges dialogue.
Clearly this movie was made out of love for the stooges and there is a charm found even in less likable characters. This doesn't mean that people under 20 years of age will "get" it. They should, although the fashionable thing to say is WTF. Whatever the case, if you don't get it or don't like it the fault is not that of the filmmakers. Even in parts where I didn't laugh outright I found the groove of the movie fun and engaging. Interesting that the guy who plays Moe also has played Robin Williams and Frank Sinatra.
The one story continuity flaw I noticed had to do with Moe's discovery when he happens to have a fight on stage with the other two. . .and later the producer sees them together again and says "There's three of them?" He had already seen the other two during the unwitting audition scene which Larry and Curly walked out on. But other than that odd speed bump, it's a solid effort.
I won't compare it to James Frawley's biopic The Three Stooges which Mel Gibson produced for pay TV a while back. That had Californication's Evan Handler as Larry and The Shield's Michael Chiklis as Curly, but it got into the sad story of their real lives and the way they were exploited. Performances in both are spot-on.
Having been exposed to a few reviews and viewer opinions before seeing the film, I was shocked by one thing. People had repeatedly said that the structure of three short films was a distraction and it should have instead been one single story. This causes me to question the sanity of those people and their most basic comprehension. The movie is merely decorated with a few "short film" title cards in the fashion of the old shorts; the movie is indeed one premise and follows a conventional narrative like any other feature. It's key plot is essentially the same as The Blues Brothers - the orphanage is in financial trouble and the boys have to raise money to save it.
They manage to have some interesting and organic story twists along the way. Most inspired is the idea of a Stooge pulling up a gangster's droopy-drawers.
Now some people might have to adjust to the throw-back terminology that is carried over from the old black and white films. But oddly within the context of the movie what seems anachronistic is a moment where Moe refers to an English butler as "Threepio." Even though it is a contemporary reference, it stands out against the 1930's vaudeville style of most stooges dialogue.
Clearly this movie was made out of love for the stooges and there is a charm found even in less likable characters. This doesn't mean that people under 20 years of age will "get" it. They should, although the fashionable thing to say is WTF. Whatever the case, if you don't get it or don't like it the fault is not that of the filmmakers. Even in parts where I didn't laugh outright I found the groove of the movie fun and engaging. Interesting that the guy who plays Moe also has played Robin Williams and Frank Sinatra.
The one story continuity flaw I noticed had to do with Moe's discovery when he happens to have a fight on stage with the other two. . .and later the producer sees them together again and says "There's three of them?" He had already seen the other two during the unwitting audition scene which Larry and Curly walked out on. But other than that odd speed bump, it's a solid effort.
I won't compare it to James Frawley's biopic The Three Stooges which Mel Gibson produced for pay TV a while back. That had Californication's Evan Handler as Larry and The Shield's Michael Chiklis as Curly, but it got into the sad story of their real lives and the way they were exploited. Performances in both are spot-on.