Before there was Joe Montana(NFL quarterback), there was Joe Dakota, or rather seemingly 2 of them: friends, one an old illiterate Native American, the other a young tall handsome literate Caucasian cowpoke(Jock Mahoney). The cowpoke eventually wandered away from the ranch the 'Indian' had bought. Now, he is returning to visit his friend, upon a telegram request. The tiny nearby settlement seems deserted, except for one pretty, suspicious, young lady tending the general store. Everybody else is out on 'Indian' Joe's property, around an oil well in the making. Seems 'Indian Joe' sold his property to one of the new townies, left this region, and, almost immediately, an oil seep was discovered on this property. The whole town is now involved in converting this seep into a commercial well. Cowpoke Joe doesn't buy this story, so he wants to snoop around, talking to individuals, to try to find out what really happened. He also claims the new deed to the property is a forgery. How could this stranger know and prove that? The town people keep trying to run him off, but he keeps returning.
The glaring problem with this story is that nobody here recognizes Cowpoke Joe nor he them, even though he claims he used to live here! Thus, we have to assume that all these basically ranching or town folk families moved here within the recent past. But,according to several spoken lines, that's not so! Anyway, fortunately, the storekeeper's daughter Jody(Luana Patten) is attracted to Joe, although still suspicious, and becomes his only sometimes friend here. How is it that they both claim to have been reclusive 'Indian' Joe's only friend for many years, yet don't know each other??
Rather reminds me of the older B&W John Wayne-starring "Tall in the Saddle", where Wayne shows up in a town he's never been to, and goes to work solving a murder mystery involving his uncle. The present film was shot in vivid Eastmancolor, and the girl is a shy indoor type, not the tomboy wildcat in that film.This film also has a bit of the older epic oil western 'Tulsa' in it, although it certainly isn't meant to be an epic.Unlike those films, this story includes an example of shoot-from-the-hip vigilantism gone bad, rather like in "The Oxbow Incident".
The film includes a number of familiar-looking character actors, such as Claude Atkins, Charles McGraw, Tony Caruso, Lee Van Cleef, and Paul Birch, who mostly provide an element of toughness, with occasional frontier humor. I thought the theme song "The Flower of San Antone", which Jock whistles or sings several times, was catchy. No clue what state this story supposedly took place in. This song suggests maybe Texas, which did have plenty of oil. The film was shot in southern CA.
Poor Cowpoke Joe falls into a pool of oil twice: once near the beginning and again near the end. This second one involves a fight in the oil pool from a gusher, part of the climax to the story. Much reminds me of the slugfest in a very muddy pool at the end of the later "The Scalphunters", and also in "McClintock!". After his first unplanned public oil bath, he has to walk back to town looking like a black-faced minstrel who badly overdid his makeup. So, he takes a musical soapy bath in the town watering trough after Jody refuses to let him use the town indoor bathing facility. Nobody is pleased.
Unraveling the mystery of 'Indian' Joe and his land is a bit complicated, as Cowpoke Joe has to find and put together several disparate pieces of information, including the results of a sort of crude psychoanalysis of Jody. I will let you see the film(probably on Encore Westerns at present) to find out the details. The rather surprising ending also I won't reveal. Firearms are occasionally brandished, but only one shot is fired and nobody dies. This is no shoot-em-up western! It's mostly a very slow paced film, until the last 10-15 minutes, featuring mostly talking rather than action. If that bores you, you might want to pass on this film. Despite the gaping holes in the plot, soft-spoken, laconic, but determined, Joe Dakota makes a likable hero, and I enjoyed the film.
This was my introduction to Jock. His Hollywood and TV careers mostly consisted of stunt double work, supporting and starring roles in minor westerns, and supporting and starring roles in several Tarzan films.
The glaring problem with this story is that nobody here recognizes Cowpoke Joe nor he them, even though he claims he used to live here! Thus, we have to assume that all these basically ranching or town folk families moved here within the recent past. But,according to several spoken lines, that's not so! Anyway, fortunately, the storekeeper's daughter Jody(Luana Patten) is attracted to Joe, although still suspicious, and becomes his only sometimes friend here. How is it that they both claim to have been reclusive 'Indian' Joe's only friend for many years, yet don't know each other??
Rather reminds me of the older B&W John Wayne-starring "Tall in the Saddle", where Wayne shows up in a town he's never been to, and goes to work solving a murder mystery involving his uncle. The present film was shot in vivid Eastmancolor, and the girl is a shy indoor type, not the tomboy wildcat in that film.This film also has a bit of the older epic oil western 'Tulsa' in it, although it certainly isn't meant to be an epic.Unlike those films, this story includes an example of shoot-from-the-hip vigilantism gone bad, rather like in "The Oxbow Incident".
The film includes a number of familiar-looking character actors, such as Claude Atkins, Charles McGraw, Tony Caruso, Lee Van Cleef, and Paul Birch, who mostly provide an element of toughness, with occasional frontier humor. I thought the theme song "The Flower of San Antone", which Jock whistles or sings several times, was catchy. No clue what state this story supposedly took place in. This song suggests maybe Texas, which did have plenty of oil. The film was shot in southern CA.
Poor Cowpoke Joe falls into a pool of oil twice: once near the beginning and again near the end. This second one involves a fight in the oil pool from a gusher, part of the climax to the story. Much reminds me of the slugfest in a very muddy pool at the end of the later "The Scalphunters", and also in "McClintock!". After his first unplanned public oil bath, he has to walk back to town looking like a black-faced minstrel who badly overdid his makeup. So, he takes a musical soapy bath in the town watering trough after Jody refuses to let him use the town indoor bathing facility. Nobody is pleased.
Unraveling the mystery of 'Indian' Joe and his land is a bit complicated, as Cowpoke Joe has to find and put together several disparate pieces of information, including the results of a sort of crude psychoanalysis of Jody. I will let you see the film(probably on Encore Westerns at present) to find out the details. The rather surprising ending also I won't reveal. Firearms are occasionally brandished, but only one shot is fired and nobody dies. This is no shoot-em-up western! It's mostly a very slow paced film, until the last 10-15 minutes, featuring mostly talking rather than action. If that bores you, you might want to pass on this film. Despite the gaping holes in the plot, soft-spoken, laconic, but determined, Joe Dakota makes a likable hero, and I enjoyed the film.
This was my introduction to Jock. His Hollywood and TV careers mostly consisted of stunt double work, supporting and starring roles in minor westerns, and supporting and starring roles in several Tarzan films.