The acting is competent, with Kim Little (sort of resembles a Faith Ford and Elisabeth Shue hybrid which is kind of cool), playing her cards close to her chest as Government palaeontologist called in to advise on a giant crocodile that's been unearthed by an earthquake, threatening coastal towns en route to LA. Soldiers in the field (Hall & Blashaw) are being pursued by the indestructible behemoth with General (Novak), Little's character and other assorted advisors frantically co-ordinating efforts to control the beast's path of destruction from HQ.
It's all digital camcorder, CGI, synthesiser-sound, cheap home movie stuff, and while the performances are probably better than average for this type of production, the overall result is lacklustre. A raft of audio-visual tricks that don't paper over the budget holes, no realistic interaction between actors and the title antagonist, MTV-style light, sound and editing techniques, masses of stock footage but most disappointing of all, precious little horror or suspense.
It's the kind of movie that looks conceived and executed by visual artists instead of storytellers, all smoke & mirrors sans substance.
It's all digital camcorder, CGI, synthesiser-sound, cheap home movie stuff, and while the performances are probably better than average for this type of production, the overall result is lacklustre. A raft of audio-visual tricks that don't paper over the budget holes, no realistic interaction between actors and the title antagonist, MTV-style light, sound and editing techniques, masses of stock footage but most disappointing of all, precious little horror or suspense.
It's the kind of movie that looks conceived and executed by visual artists instead of storytellers, all smoke & mirrors sans substance.