Dial 1119 is directed by Gerald Mayer and collectively written by Hugh King, Don McGuire and John Monks Junior. It stars Marshall Thompson, Virginia Field, Andrea King, William Conrad and Sam Levine. Music is by Andre Previn and cinematography by Paul C. Vogel.
The Killing Hour.
A compact suspenser, Dial 1119 can be seen as very much a prototype of future thrillers where a hostage situation takes place. Here the story basically sees Thompson as escaped mental patient Gunther Wyckoff, who takes a bus to Terminal City, grabs hold of a gun and holes up in a bar with a small group of hostages. His aim is to reap revenge on the doctor who spared him the electric chair and had him committed instead.
In the bar is the barman, the busboy who is an expectant father, a barfly broad, a Lothario and the young lady he had coerced into having a fling with him. As tensions rise in the bar, outside the crowd gathers and so does the press, who sensationalise the situation. The cops scratch around for a solution, one of which seems to be kill Wyckoff at any cost! The narrative has caustic observations on these outside parties, while it also brings into play the delusions of the troubled Wyckoff who believes he is a war torn ex squaddie. The film doesn't shy away from violence either, there will be blood, as it were.
It's acted and directed commendably and Vogel's black and white photography is crisp and perfectly in keeping with the tone of the picture. All in all it's a good and suspenseful way to spend 75 minutes. 7/10
The Killing Hour.
A compact suspenser, Dial 1119 can be seen as very much a prototype of future thrillers where a hostage situation takes place. Here the story basically sees Thompson as escaped mental patient Gunther Wyckoff, who takes a bus to Terminal City, grabs hold of a gun and holes up in a bar with a small group of hostages. His aim is to reap revenge on the doctor who spared him the electric chair and had him committed instead.
In the bar is the barman, the busboy who is an expectant father, a barfly broad, a Lothario and the young lady he had coerced into having a fling with him. As tensions rise in the bar, outside the crowd gathers and so does the press, who sensationalise the situation. The cops scratch around for a solution, one of which seems to be kill Wyckoff at any cost! The narrative has caustic observations on these outside parties, while it also brings into play the delusions of the troubled Wyckoff who believes he is a war torn ex squaddie. The film doesn't shy away from violence either, there will be blood, as it were.
It's acted and directed commendably and Vogel's black and white photography is crisp and perfectly in keeping with the tone of the picture. All in all it's a good and suspenseful way to spend 75 minutes. 7/10