Guillaume Canet creates films (Tell No One, Whatever You Say, J'peux pas dormir..., Je taim) that though they are about love, loss and life, they probe more deeply into the human condition than the glossy entertaining surface can conceal. In the end all of his films demand that the viewer connects to his concept of the flow of life and death and those aspects of living that make a difference. Les petits mouchoirs AKA Little White Lies magnifies these attributes. The story is so conversationally written that for a while it is difficult to pull together where the film is going, but by the end of the film the audience is so choked by the discoveries revealed that tears and a stunned afterburn are inevitable.
Every year, Max Cantara (François Cluzet), a successful restaurant owner, and Véronique (Valérie Bonneton), his eco-friendly wife invite a their close-knit circle of friends to their beautiful Cap Ferrat beach house near Bordeaux to celebrate the birthday of Antoine (Laurent Lafitte) and kick-start the vacation. But, this year, before they all leave Paris, their mutual friend Ludo (Jean Dujardin) is hurt in a serious motorcycle accident, ends up the ICU and as the doctors say nothing can be done to change things for at least two weeks, the friends all proceed with their plans for vacation: no one stays behind to be supportive of Ludo, not even his apparent love partner Marie (Marion Cotillard). This sets off a dramatic chain of reactions and emotional responses. The eagerly anticipated vacation leads each of the protagonists to raise the little veils that for years they have draped over what bothers and upsets them. Pretenses become increasingly hard to keep up. Until the moment when the truth finally catches up with them all: each member of the group of friends has a problem that needs the support of real friends but none of them has the ability to share personal secrets. There are many concepts that are present here - one married man Vincent (Benoît Magimel) has an inexplicable physical and emotional attraction to Max who loathes the idea of a possible gay liaison; Marie is visited by an infrequent lover Nassim (Hocine Mérabet), Eric (Gilles Lellouche) longs to be reunited with the woman who has found another, Jean Louis (Joël Dupuch) awaits messages from his emotionally distant Juliette (Anne Marivin) - and so on. Yet each of these little situations confound Antoine who cannot believe this group would not stay near their critically injured friend Ludo. The consequences are revealing and point out the importance of owning up to the truths that define a life. To reveal the ending would be a disservice to all who may see this little masterpiece.
The entire cast is of the highest caliber and Canet succeeds in getting brilliant performances from each. Though each actor is excellent, the performances by Benoît Magimel, Marion Cotillard and François Cluzet are exceptional. This is a thinking person's film but one that holds as much brilliant drama and impact as any film before us today. Grady Harp, February 13
Every year, Max Cantara (François Cluzet), a successful restaurant owner, and Véronique (Valérie Bonneton), his eco-friendly wife invite a their close-knit circle of friends to their beautiful Cap Ferrat beach house near Bordeaux to celebrate the birthday of Antoine (Laurent Lafitte) and kick-start the vacation. But, this year, before they all leave Paris, their mutual friend Ludo (Jean Dujardin) is hurt in a serious motorcycle accident, ends up the ICU and as the doctors say nothing can be done to change things for at least two weeks, the friends all proceed with their plans for vacation: no one stays behind to be supportive of Ludo, not even his apparent love partner Marie (Marion Cotillard). This sets off a dramatic chain of reactions and emotional responses. The eagerly anticipated vacation leads each of the protagonists to raise the little veils that for years they have draped over what bothers and upsets them. Pretenses become increasingly hard to keep up. Until the moment when the truth finally catches up with them all: each member of the group of friends has a problem that needs the support of real friends but none of them has the ability to share personal secrets. There are many concepts that are present here - one married man Vincent (Benoît Magimel) has an inexplicable physical and emotional attraction to Max who loathes the idea of a possible gay liaison; Marie is visited by an infrequent lover Nassim (Hocine Mérabet), Eric (Gilles Lellouche) longs to be reunited with the woman who has found another, Jean Louis (Joël Dupuch) awaits messages from his emotionally distant Juliette (Anne Marivin) - and so on. Yet each of these little situations confound Antoine who cannot believe this group would not stay near their critically injured friend Ludo. The consequences are revealing and point out the importance of owning up to the truths that define a life. To reveal the ending would be a disservice to all who may see this little masterpiece.
The entire cast is of the highest caliber and Canet succeeds in getting brilliant performances from each. Though each actor is excellent, the performances by Benoît Magimel, Marion Cotillard and François Cluzet are exceptional. This is a thinking person's film but one that holds as much brilliant drama and impact as any film before us today. Grady Harp, February 13