Crypt of the Living Dead was filmed in colour, but my copy—part of a dirt-cheap Mill Creek box-set of vampire movies—was presented in black and white (despite the packaging stating otherwise); amazingly, the lack of colour might actually work in the film's favour, lending a touch of much needed Gothic atmosphere to an otherwise rather tedious tale of vampirism in a remote island community.
The film sees archaeologist Chris Bolton (Andrew Prine) visiting the island to claim the body of his father, who was crushed to death under a stone sarcophagus while investigating an ancient burial site; when Chris attempts to lift the marble tomb, he accidentally releases 700-year-old vampire Hannah (Barbara Steele lookalike Teresa Gimpera) who begins to feed on the locals, aided in her task by a wild-man in a furry waistcoat and a member of the village who seeks immortality.
Slow moving and devoid of action for much of the time, the film will definitely prove hard going for many, but director Julio Salvador achieves just about enough effectively haunting moments to make it a worthwhile watch for vampire movie completists: the local fishermen's hostility towards Chris's arrival on the island immediately provokes an unsettling 'Wicker Man' vibe; Hannah's ability to turn into a cloud of mist or a wolf makes her all the more menacing; and the finalé manages to pick up the pace a tad (albeit a little late, perhaps) providing a few reasonable chills in the process.
4.5 out of 10, rounded up to 5 for IMDb.
The film sees archaeologist Chris Bolton (Andrew Prine) visiting the island to claim the body of his father, who was crushed to death under a stone sarcophagus while investigating an ancient burial site; when Chris attempts to lift the marble tomb, he accidentally releases 700-year-old vampire Hannah (Barbara Steele lookalike Teresa Gimpera) who begins to feed on the locals, aided in her task by a wild-man in a furry waistcoat and a member of the village who seeks immortality.
Slow moving and devoid of action for much of the time, the film will definitely prove hard going for many, but director Julio Salvador achieves just about enough effectively haunting moments to make it a worthwhile watch for vampire movie completists: the local fishermen's hostility towards Chris's arrival on the island immediately provokes an unsettling 'Wicker Man' vibe; Hannah's ability to turn into a cloud of mist or a wolf makes her all the more menacing; and the finalé manages to pick up the pace a tad (albeit a little late, perhaps) providing a few reasonable chills in the process.
4.5 out of 10, rounded up to 5 for IMDb.