Shield of Straw (2013) (Japanese Thriller)
Viewed on April 26th, 2013 at Shinuku Piccadilly Cinema in Tokyo, Japan. No subtitles.
After a young girl is murdered, the grandfather publicly issues a $10 million bounty on the head of the prime suspect (an already convicted rapist/murderer played by Tatsuya Fujiwara). An idealistic cop (Takao Osawa) is assigned the protect and transport the suspect despite the repeated assassination attempts. This film by Takashi Miike is absorbing and pushes the protagonist's ideals to the limit, especially considering how the suspect is obviously a homicidal maniac whose protection endangers the lives of both police officers and citizens. As the bodycount of innocent deaths rise, it becomes more and more difficult to justify the suspects' protection. There are a few good action moments to enjoy, but the tension is expressed more so in the threat than the actual violence itself.
One thing I would like to point out is with regard to the performances by both lead actors, which are very strong. This is a bit surprising given their histories. I would not personally classify Tatsuya Fujiwara as a "great" actor, and he does not belong in the same ranks as other Japanese stars like Hiroshi Abe and Koji Yakusho. That said, he has definitely grown on me over the past few years with his performances in "Parade" (2009) and now this film. I see him building a respectable career into the future. Then there's Takao Osawa, a man who has had his fair share of cartoonish and/or stiff performances. But here he turns in the best performance of his career, and actually carries the film on his shoulders from start to finish. Ironically, I also recently saw him give a good performance in "Strawberry Night" (2012), so he is also growing on me.
Miike's direction is impressive as always. He represents a great example of a once cult director who has retained his filmmaking qualities despite turning to mainstream projects. In fact, I'd say that his "hit or miss" career has actually grown more consistent in recent years. Fans should see "Shield of Straw" as soon as possible.
P.S. - This film was apparently panned at the Cannes Film Festival, which is not much of a surprise since it's probably the most "commercial" film in competition.
Viewed on April 26th, 2013 at Shinuku Piccadilly Cinema in Tokyo, Japan. No subtitles.
After a young girl is murdered, the grandfather publicly issues a $10 million bounty on the head of the prime suspect (an already convicted rapist/murderer played by Tatsuya Fujiwara). An idealistic cop (Takao Osawa) is assigned the protect and transport the suspect despite the repeated assassination attempts. This film by Takashi Miike is absorbing and pushes the protagonist's ideals to the limit, especially considering how the suspect is obviously a homicidal maniac whose protection endangers the lives of both police officers and citizens. As the bodycount of innocent deaths rise, it becomes more and more difficult to justify the suspects' protection. There are a few good action moments to enjoy, but the tension is expressed more so in the threat than the actual violence itself.
One thing I would like to point out is with regard to the performances by both lead actors, which are very strong. This is a bit surprising given their histories. I would not personally classify Tatsuya Fujiwara as a "great" actor, and he does not belong in the same ranks as other Japanese stars like Hiroshi Abe and Koji Yakusho. That said, he has definitely grown on me over the past few years with his performances in "Parade" (2009) and now this film. I see him building a respectable career into the future. Then there's Takao Osawa, a man who has had his fair share of cartoonish and/or stiff performances. But here he turns in the best performance of his career, and actually carries the film on his shoulders from start to finish. Ironically, I also recently saw him give a good performance in "Strawberry Night" (2012), so he is also growing on me.
Miike's direction is impressive as always. He represents a great example of a once cult director who has retained his filmmaking qualities despite turning to mainstream projects. In fact, I'd say that his "hit or miss" career has actually grown more consistent in recent years. Fans should see "Shield of Straw" as soon as possible.
P.S. - This film was apparently panned at the Cannes Film Festival, which is not much of a surprise since it's probably the most "commercial" film in competition.