5/10
543rd Review: A Scattergun Approach Only Works In Parts
30 June 2013
TPOF is an attempt in its cinematography, editing, sound, characterization and overall direction to be different - and it partially succeeds - you come away remembering the images and characterizations - the real problem though is the script has words but lacks the same rhythm the same bebop sensibilities, and so jars constantly with the multi-layered multifaceted story lines as they interweave.

For this reviewer the Macguffin of what has being stolen should have been a kicking off point for lots of great banter or ideas and instead seems to just be wasted; in addition, both Christian Slater and Christoffer Walken are given their parts and then woefully under directed.

All in all, this is sub-Tarantino, with some interesting ideas about multistory lines and some film school ideas on use of angles, grading of film etc; that are designed to make it look sloppy and cheap - which are the positives - the negatives are a script that needed editing for its sound - it's just too prosaic for this piece - and performances that though OK could have been workshopped more: I would say that Leone Marucci has a ton of good ideas, but needs to allow his actors less freedom, and needs the script to zing in rhythm with the camera.
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