This so-called comedy seems an over-abundance of smugness that thrives on the mistaken belief that its all-star cast and intelligent screenplay will rise above pretentiousness. There's actually very little in the way of humor and story, a weak plot about two American women who pretend to be French in order to see how two American soldiers on leave will treat them. Olivia de Havilland is the titled character, daughter of ambassador Adolph Menjou who is engaged to the French Francis Lederer but sets her beret for the more appealing John Forsythe. Her sidekick? None other than Myrna Loy, still stunning and every inch the scene-stealer, managing to get laughs where there are none. De Havilland is too dry for modern comedy and seems miscast opposite the dashing Forsythe. Edward Arnold is still hanging on as Loy' s stuffy husband while Tommy Noonan fights for laughs as the other soldier.
The snail paced screenplay with allegedly smart dialog is actually extremely highbrow, a dangerous quality for the mid 1950's. Many shots of Parisian tourist spots, while always lovely to look at, end up a detriment to the film as a whole. In spite of some matronly outfits, Loy ends up looking more appealing and younger than the leading lady who had lost much of her appeal at this point in her career. De Havilland doesn't succeed in the type of roles that Jane Wyman was raking in huge success at the box office at the same time.
The snail paced screenplay with allegedly smart dialog is actually extremely highbrow, a dangerous quality for the mid 1950's. Many shots of Parisian tourist spots, while always lovely to look at, end up a detriment to the film as a whole. In spite of some matronly outfits, Loy ends up looking more appealing and younger than the leading lady who had lost much of her appeal at this point in her career. De Havilland doesn't succeed in the type of roles that Jane Wyman was raking in huge success at the box office at the same time.