Love triangle? Forget it, this is a love square involving famous poet Dylan Thomas (Matthew Rhys), his wife Caitlin (Sienna Miller), his lover and later her friend Vera (Keira Knightley) and an admirer of her, the soldier William (Cillian Murphy). But not necessarily involving all of them together, even though there's the knowledge of all parts that there's something on in between them. And the background of this turbulent relationship is England during World War 2 with the bombs falling over their heads while they "love" and hate each other, and write poems about it. "The Edge of Love" isn't a romantic story of meetings, falling in love and break-ups, it's the upside of those, it's everything else but love. Pitiful
It's about selfish characters using the L word to express themselves and make this movie going. Whatever that was it wasn't love. Only William perhaps, he's the only genuine soul in this and the one who got hurt the most. A good lesson to be learned in here. If you're going to get too close, you really must try your best to know the other one. Strange friendship relations are also explored in here. In what world you would imagine a woman making friends with her husband's lover and expecting nothing more to happen? Whatever. William is real while the other folks were just exploiters seeking benefits, money or used as muses in order to "help" the creative genius of a nasty drunk bugger. And what was the point of this, anyway? To prove that friendship can last even after a lot of misunderstandings and betrayals? Gee, how exciting for a motion picture to be developed. Next time, a similar work (but better!) could be made about writer Euclides da Cunha (Google it, please!) and that would make a far more interesting (and even more tragic) piece than this film.
The real life, in this particular case, wasn't all that interesting, therefore this is a movie that not even a great screenplay would make it better. Skip this with no regrets and treat yourself with "Bright Star" which is about a real love story, with very meaningful things to say and there's the delightful words of John Keats to leave you marveled. In there, it's life and art combined producing quality material. Here, there's nothing. I know very little of Dylan Thomas and after "The Edge of Love" I'll still know very little of him. Why? Not only does this movie doesn't generate any kind of sympathy for the man (couldn't even care for the actor playing him as well), almost no attributes and it gives so little of the artist (which sounds very limited with his writings) that I simply lost it. I won't search for his books. And that's the worst kind of service a movie can make while making a portrayal of a real figure. As quoted by a famous character in another movie: "He was a genius, a poet and a drunk." I can only agree with the last part.
It wasn't that bad. There's a gorgeous cinematography very suitable for the game of appearances all the characters were involved, good costumes and art direction, and Cillian was the best thing in it with this decent guy who falls in love with the wrong person, goes to the war and sees its horrors to later return transformed and with his marriage going downhill, poor and with a kid to raise. I cared for this character, opposed to the poet which not only I hated but couldn't understand what women saw in him. It may be the words but those don't translated so well while echoed in tiring voice overs. It sounds pretentious and lifeless. And it certainly wasn't for the looks, since he was quite ugly and with no expression. Keira and Sienna work best when together sharing their stories and dreams; with the male actors is just embarrassing to look. Still one of the weakest films I've ever seen. 5/10
It's about selfish characters using the L word to express themselves and make this movie going. Whatever that was it wasn't love. Only William perhaps, he's the only genuine soul in this and the one who got hurt the most. A good lesson to be learned in here. If you're going to get too close, you really must try your best to know the other one. Strange friendship relations are also explored in here. In what world you would imagine a woman making friends with her husband's lover and expecting nothing more to happen? Whatever. William is real while the other folks were just exploiters seeking benefits, money or used as muses in order to "help" the creative genius of a nasty drunk bugger. And what was the point of this, anyway? To prove that friendship can last even after a lot of misunderstandings and betrayals? Gee, how exciting for a motion picture to be developed. Next time, a similar work (but better!) could be made about writer Euclides da Cunha (Google it, please!) and that would make a far more interesting (and even more tragic) piece than this film.
The real life, in this particular case, wasn't all that interesting, therefore this is a movie that not even a great screenplay would make it better. Skip this with no regrets and treat yourself with "Bright Star" which is about a real love story, with very meaningful things to say and there's the delightful words of John Keats to leave you marveled. In there, it's life and art combined producing quality material. Here, there's nothing. I know very little of Dylan Thomas and after "The Edge of Love" I'll still know very little of him. Why? Not only does this movie doesn't generate any kind of sympathy for the man (couldn't even care for the actor playing him as well), almost no attributes and it gives so little of the artist (which sounds very limited with his writings) that I simply lost it. I won't search for his books. And that's the worst kind of service a movie can make while making a portrayal of a real figure. As quoted by a famous character in another movie: "He was a genius, a poet and a drunk." I can only agree with the last part.
It wasn't that bad. There's a gorgeous cinematography very suitable for the game of appearances all the characters were involved, good costumes and art direction, and Cillian was the best thing in it with this decent guy who falls in love with the wrong person, goes to the war and sees its horrors to later return transformed and with his marriage going downhill, poor and with a kid to raise. I cared for this character, opposed to the poet which not only I hated but couldn't understand what women saw in him. It may be the words but those don't translated so well while echoed in tiring voice overs. It sounds pretentious and lifeless. And it certainly wasn't for the looks, since he was quite ugly and with no expression. Keira and Sienna work best when together sharing their stories and dreams; with the male actors is just embarrassing to look. Still one of the weakest films I've ever seen. 5/10