4/10
Mildly interesting but it could have used a bit of editing.
4 September 2013
I looked forward to seeing this film because in recent years, I have become intrigued by Werner Herzog's films. I am not talking about his traditional films--the ones loved by the critics such as "Aguirre, the Wrath of God" of "Fitzcarraldo". Instead, I have really come to enjoy the director's documentaries--and although he is known for his traditional movies, he has made tons of excellent documentaries.

I also was interested because I am rather familiar with the crazy relationship Herzog had with Klaus Kinski--as discussed in "My Best Friend Klaus Kinski". In it, Herzog talks about how much he hated working with Kinski--and yet he chose to work with him AGAIN on "Fitzcarraldo"--the film which is the subject of this documentary.

What you'll notice in this documentary by Les Blank is how seemingly cursed the production is as well as how Herzog's compulsive style make the filming VERY, VERY difficult. First, they had to stop the production due to border skirmishes between communists and the government. Then, the natives attacked and burned the sets! Add to that the loss of the original leading man after he became too ill to complete the film...and 40% of the film was already shot! Also, Herzog's script and insistence that they shoot the film in the most remote and unforgiving environment made things even worse. The film does a good job of chronicling these and many, many more problems.

While the film is a wealth of information for Herzog-philes, it is NOT a great documentary. Much of it is because the pacing is very uneven. Many parts simply should have been heavily edited as too many times nothing is happening or the shots seem amazingly extraneous (such as a lengthy shot of a couple natives on a raft). Plus, although Herzog talks a lot--the rest of the folks don't. I really wanted to hear from the new leading man (Kinski) and the rest.

My advice is to only watch this film if you are a film student, Herzog groupie or if you are very, very tolerant of a somber and occasionally dull making of film.
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