Season two's penultimate episode doesn't feel as if we were coming to an intense season finale, but nevertheless includes scenes of great importance. Firstly, Walt's and Skyler's second kid Holly is finally born. After the tumultuous ending of "Mandala", "Phoenix" takes it a bit calmer and includes some lovely scenes between Walt and his daughter. The fact that Skyler's boss Ted was present at the birth and her actual husband Walt wasn't, is an interesting idea already and the 'introduction shot' of Ted was made very well too.
Yet the bigger aspect of this episode is a new problem that Walt faces: through his incredible deal in "Mandala", he made him and his family rich, but can't tell them because the deal's methods were a bit disgraceful, to say the least. The growing suspicion of his family about Walt so decisively objecting to any form of subsidies is another really well-made part of "Phoenix". In one rememberable scene, he shows the tremendous money stash to his infantile daughter, which makes her fall asleep. Walt's new lawyer Saul also gets a word into that dilemma and comes up with an ingenious solution – again in his "I know a guy who knows a guy who knows a guy who knows a guy" technique.
However, the plot part that you will surely not forget about "Phoenix" is neither of those two but what happens to Jesse and Jane in this episode. I'm not spoiling it for you, but it's indubitably the most intense moment up to that point on Breaking Bad. Bryan Cranston, who is also involved in this unforgettable scene, does a phenomenal acting job – in that particular scene, it is crystal clear (no pun intended) why this man has won three Emmys for this role. What happened previous to that excellent closing scene is not nearly as good, but I at least appreciate the writer's idea of how to let this story come to an end. It's just that the screenplay gives the involved actors some cheesy lines and admittedly, Aaron Paul and Krysten Ritter don't seem to have had their best of days whilst shooting this episode. Anyway, there's still the aforementioned stand-out scene and before that, a great conversation between two characters you wouldn't have expected to meet up for a talk.
I consider "Phoenix" to be one of season two's best episodes, yet it still isn't perfect and a tad unentertaining at times.
Yet the bigger aspect of this episode is a new problem that Walt faces: through his incredible deal in "Mandala", he made him and his family rich, but can't tell them because the deal's methods were a bit disgraceful, to say the least. The growing suspicion of his family about Walt so decisively objecting to any form of subsidies is another really well-made part of "Phoenix". In one rememberable scene, he shows the tremendous money stash to his infantile daughter, which makes her fall asleep. Walt's new lawyer Saul also gets a word into that dilemma and comes up with an ingenious solution – again in his "I know a guy who knows a guy who knows a guy who knows a guy" technique.
However, the plot part that you will surely not forget about "Phoenix" is neither of those two but what happens to Jesse and Jane in this episode. I'm not spoiling it for you, but it's indubitably the most intense moment up to that point on Breaking Bad. Bryan Cranston, who is also involved in this unforgettable scene, does a phenomenal acting job – in that particular scene, it is crystal clear (no pun intended) why this man has won three Emmys for this role. What happened previous to that excellent closing scene is not nearly as good, but I at least appreciate the writer's idea of how to let this story come to an end. It's just that the screenplay gives the involved actors some cheesy lines and admittedly, Aaron Paul and Krysten Ritter don't seem to have had their best of days whilst shooting this episode. Anyway, there's still the aforementioned stand-out scene and before that, a great conversation between two characters you wouldn't have expected to meet up for a talk.
I consider "Phoenix" to be one of season two's best episodes, yet it still isn't perfect and a tad unentertaining at times.