The Mother is a harsh, severe film about relationship and families. The characters are not physically abusive. They are mentally. Adult children who simply do not care or are distant from their parents.
The emptiness of the parent-child relationship is there to see from the beginning as we see Peter Vaughan and Anne Reid travelling on the train to London to see their selfish son and equally selfish daughter.
Reid soon becomes a widow and lives with her children for a while and starts an affair with his son's friend and builder (Daniel Craig) who also happens to be married. He is also having an affair himself with Reid's daughter.
Reid who raised her children, had a job and was almost dutiful to her husband. She is emotionally re-awakened by her affair with the youthful and physical Craig. This is depicted by her etchings.
Contrast this when her daughter tries to set her up with an older man for which she has no emotional connection.
The film does not entirely explain why Craig beds Reid, or why the children are so selfish and even bitter.
The ending leaves a visceral punch to the gut. Almost all the characters are unlikable but at least Reid makes a journey of discovery and decides she doesn't want to waste away in her former marital home.
The film is uneven. It is a glorified television film but writer Hanif Kureishi, despite a few sex scenes handles the themes in a more sensitive and subtle manner than his previous works.
The emptiness of the parent-child relationship is there to see from the beginning as we see Peter Vaughan and Anne Reid travelling on the train to London to see their selfish son and equally selfish daughter.
Reid soon becomes a widow and lives with her children for a while and starts an affair with his son's friend and builder (Daniel Craig) who also happens to be married. He is also having an affair himself with Reid's daughter.
Reid who raised her children, had a job and was almost dutiful to her husband. She is emotionally re-awakened by her affair with the youthful and physical Craig. This is depicted by her etchings.
Contrast this when her daughter tries to set her up with an older man for which she has no emotional connection.
The film does not entirely explain why Craig beds Reid, or why the children are so selfish and even bitter.
The ending leaves a visceral punch to the gut. Almost all the characters are unlikable but at least Reid makes a journey of discovery and decides she doesn't want to waste away in her former marital home.
The film is uneven. It is a glorified television film but writer Hanif Kureishi, despite a few sex scenes handles the themes in a more sensitive and subtle manner than his previous works.