This surreal love-party begins with a series of mysterious events, where the three main characters experience some misfortune. It's the young couple, Ali (Kate Moran) and Matthias (Niels Schneider), and their transvestite maid, Udo (Nicolas Maury), who are getting ready for a highly anticipated midnight orgy in their house, where their horny guests arrive one by one during the night.
Their guests are a colorful variety of people, including "The Slut" (Julie Brémond), "The Star" (Fabienne Babe), "The Stud" (Eric Cantona) and "The Teen" (Alain-Fabien Delon), all with their own sexual perversions. Especially Eric Cantona is amusing, as a "Dirk Diggler" kind of character, who is miserable even though he is VERY well-endowed.
During this night of lust, a bunch of weird things happen, which I will no go into further detail here (as to not give away too many things about the film), but suffice to say, that there are a LOT of monologues about sex, life and death, and the film feels VERY "French" (and not necessarily in a good way, mind you).
It reminded me of a mixture between Fassbender's "Querelle" (with the sexual themes and colorful studio-backgrounds), and some old avant-garde art-porn from the 1980s. I'm not really into this kind of thing, so that's why I didn't rate it very highly. It's mostly just loooong speeches about everything and nothing, set to a backdrop of great music by the band M83, and after a while it gets quite tedious and dull. But hey, if you're into this sort of thing, you'll probably love it to death!
Their guests are a colorful variety of people, including "The Slut" (Julie Brémond), "The Star" (Fabienne Babe), "The Stud" (Eric Cantona) and "The Teen" (Alain-Fabien Delon), all with their own sexual perversions. Especially Eric Cantona is amusing, as a "Dirk Diggler" kind of character, who is miserable even though he is VERY well-endowed.
During this night of lust, a bunch of weird things happen, which I will no go into further detail here (as to not give away too many things about the film), but suffice to say, that there are a LOT of monologues about sex, life and death, and the film feels VERY "French" (and not necessarily in a good way, mind you).
It reminded me of a mixture between Fassbender's "Querelle" (with the sexual themes and colorful studio-backgrounds), and some old avant-garde art-porn from the 1980s. I'm not really into this kind of thing, so that's why I didn't rate it very highly. It's mostly just loooong speeches about everything and nothing, set to a backdrop of great music by the band M83, and after a while it gets quite tedious and dull. But hey, if you're into this sort of thing, you'll probably love it to death!