Review of The Alamo

The Alamo (1960)
5/10
Overwrought, overly-macho take on history
24 May 2014
Overwrought, overly-macho take on a very historic event.

Should have been simple enough: tell the story of the Battle of the Alamo with some good, epic action scenes and some character development. The action scenes are there, and are good. However, the character development is quite superficial: there are no shades of grey. Travis is a martinet, Crockett and Bowie are one-dimensional, anarchic, uber- hero adventurers.

Moreover, director John Wayne and writer James Edward Grant add in several sub-plots which have no bearing on the story. Yes, some are there to add some colour to the characters, but they just seem gratuitous and wholly unnecessary.

Acting is almost all of the over-the-top macho variety. John Wayne was always going to be the swaggering hero (that's all he knows), and, as he is director, now he has licence to crank up the swagger. Richard Widmark comes close to matching him in this regard. Only Laurence Harvey, as Travis, plays it straight. Too straight: he comes off as cranky.

Surprisingly, despite all the hammy acting that abounds, this movie got an acting Oscar nomination. Chill Wills was nominated for Best Supporting Actor, for his performance as Beekeeper. Probably the most undeserved Oscar nomination in history. Apparently his marketing campaign in attempting to get the Oscar is worth a movie itself...

This all said, this version is still far better than the one from 2004.
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