Man of Marble (1977)
7/10
Man of Marble
10 September 2014
Warning: Spoilers
I found this Polish film in the book 1001 Movies You Must See Before You Die, alongside its followup Man of Iron which came five years later, and which I almost watched first, this original definitely sounded interesting, from director Andrzej Wajda (Ashes and Diamonds). Basically young filmmaker Agnieszka (Krystyna Janda) is making her diploma film, she decides to focus it on the 1950s, the Stakhanovite movement, and the man who became a symbol of an over-achieving worker, in Nowa Huta, heroic Polish bricklayer Mateusz Birkut (Jerzy Radziwiłowicz). From stock footage, including outtakes and censored footage, in the archives, interviews with some people who knew the propagandist, including his ex-wife, his friends the filmmaker who helped him become a hero to the people, and the marble statue of the man found beneath ground, she chronicles Birkut's life. We see the life of Birkut in flashbacks, including his early beginnings, his fall from grace, and his rise to become a hero during the workers' revolution to the people with his multiple brick laying in building housing, but no-one knows what has happened to him. But Agnieszka's hard-driving style and content for her film are causing concern for the authorities and unnerving her supervisor, they think the student is digging in too deep to recent history, the supervisor kills the project, claiming it is over budget her footage and equipment are confiscated. Agnieszka's father suggests there is a single specific reason the authorities do not want the film to be completed and released, so following her seeing more footage found and the advice, she takes some equipment and goes to find Birkut for herself and ask him questions, even if she is not involved in the making of the film, in the end she does find Birkut's son Maciej Tomczyk (also Radziwilowicz) in the Gdańsk Shipyard, he tells her that his father died years ago. Also starring Tadeusz Lomnicki as Jerzy Burski, Jacek Lomnicki as Young Burski and Michal Tarkowski as Wincenty Witek. I am not sure I know fully why this film was withheld for four years, but it works as both a pseudo-documentary and a thriller of sorts, with a filmmaker going into places she shouldn't go, and seeing the origins of the man she is trying to find out about, I admit there were some slow spots, but all together it is an interesting drama. Very good!
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