Mad-as-a-hatter Nazi Hans Schellenberg (Gabriele Carrara) is instructed, by the Führer himself, to root out traitors in the Third Reich. In order to do so, he and his beautiful-but-scarred assistant Frau Inge (Marina Daunia) assemble a highly trained troop of whores, whose initial job is to satisfy the sexual desires of some German top brass and then convince them to reveal their true feelings about dear old Adolf.
After (rather easily) getting the group of generals to betray themselves, Hans and his harlots proceed to weed out other undesirables in the Reich, including the sadistic murderer Oscar (whose head wobbles like a Gerry Anderson puppet as he talks) and his equally nasty henchmen.
All is going well for nutty Hans, who loves to bash one out on his organ between orgies (a tune that is—on his church organ), until he unwisely spurns Inge's sexual advances. Miffed, she betrays her boss to his superiors, revealing his desire to become the next Führer...
The Nazisploitation genre spans the gamut from the respected (The Night Porter), to the reviled (SS Experiment Camp), via the soft-core (Salon Kitty), the sleazy (The Beast in Heat) and the camp (Ilsa, She Wolf of the SS). Italian trash-meister Bruno Mattei, never one to miss out on a trend that might prove profitable, decided to jump on the bandwagon in 1977 with SS Girls, which he quickly followed with SS Extermination Camp the same year.
Mattei starts his first foray into the genre with some hilarious scenes in which the hookers are trained to give their all, whatever the situation. We see the girls practicing ballet, fencing and learning fighting techniques, as well as learning how to sexually gratify everyone and anything from the obese, the severely handicapped, to a dog (a German Shepherd, of course!).
The rest of the film is a series of soft-core couplings with tons of full-frontal female nudity and the occasional sadistic whipping scene. Unfortunately, this all soon becomes very tiresome stuff, and the movie quickly loses the bonkers vibe of its earlier moments. A tedious last act, in which almost everyone kills themselves after hearing of Hitler's death, left me more than disappointed.
Whilst SS Girls manages to deliver the requisite sleazy sex that one expects from this kind of film, it fails to deliver the gratuitously gory and sadistic violence that makes its infamous counterparts so memorable. I soon became bored of the endless nookie, and longed for a mad scientist to enter the room and begin experimenting on someone. Alas, this was not to be, and so I feel I can only give SS Girls a decidedly average score of 5/10.
After (rather easily) getting the group of generals to betray themselves, Hans and his harlots proceed to weed out other undesirables in the Reich, including the sadistic murderer Oscar (whose head wobbles like a Gerry Anderson puppet as he talks) and his equally nasty henchmen.
All is going well for nutty Hans, who loves to bash one out on his organ between orgies (a tune that is—on his church organ), until he unwisely spurns Inge's sexual advances. Miffed, she betrays her boss to his superiors, revealing his desire to become the next Führer...
The Nazisploitation genre spans the gamut from the respected (The Night Porter), to the reviled (SS Experiment Camp), via the soft-core (Salon Kitty), the sleazy (The Beast in Heat) and the camp (Ilsa, She Wolf of the SS). Italian trash-meister Bruno Mattei, never one to miss out on a trend that might prove profitable, decided to jump on the bandwagon in 1977 with SS Girls, which he quickly followed with SS Extermination Camp the same year.
Mattei starts his first foray into the genre with some hilarious scenes in which the hookers are trained to give their all, whatever the situation. We see the girls practicing ballet, fencing and learning fighting techniques, as well as learning how to sexually gratify everyone and anything from the obese, the severely handicapped, to a dog (a German Shepherd, of course!).
The rest of the film is a series of soft-core couplings with tons of full-frontal female nudity and the occasional sadistic whipping scene. Unfortunately, this all soon becomes very tiresome stuff, and the movie quickly loses the bonkers vibe of its earlier moments. A tedious last act, in which almost everyone kills themselves after hearing of Hitler's death, left me more than disappointed.
Whilst SS Girls manages to deliver the requisite sleazy sex that one expects from this kind of film, it fails to deliver the gratuitously gory and sadistic violence that makes its infamous counterparts so memorable. I soon became bored of the endless nookie, and longed for a mad scientist to enter the room and begin experimenting on someone. Alas, this was not to be, and so I feel I can only give SS Girls a decidedly average score of 5/10.