In the 1950's, Vincente Minnelli was making some of the strongest films in Hollywood. Pictures like Some Came Running and The Bad and the Beautiful were very strong and probing studies of American life; The Cobweb deserves to be considered alongside these great films. The tranquil world of a psychiatric clinic in the Midwest countryside (somehow I can see cows in the fields even though there aren't any) is disrupted by a power struggle between two strong-willed men: Dr McIver, a young man whose first important post this is, and Dr Devanal, who has spent more than 20 years at the clinic and seems to be burnt-out. A stiff-necked spinster, Victoria Inch, whose father had created the clinic does everything she can to aggravate the principals. The clash between old settled practices and innovative new ones is the subject of the film.
People fret about the drapes--well really they're only the trigger for the clash. I have the strong feeling that by leaving Chicago to settle in this back-water, McIver has made a mountain of trouble for himself. His wife Karen (splendid performance by Gloria Grahame) is experiencing severe boredom and frustration; she's a sensual romantic woman who is being ignored by her husband, who is trying to find romance with Meg Rinehart (a cool Lauren Bacall). The romantic disappointments of the main characters make this film work.
People fret about the drapes--well really they're only the trigger for the clash. I have the strong feeling that by leaving Chicago to settle in this back-water, McIver has made a mountain of trouble for himself. His wife Karen (splendid performance by Gloria Grahame) is experiencing severe boredom and frustration; she's a sensual romantic woman who is being ignored by her husband, who is trying to find romance with Meg Rinehart (a cool Lauren Bacall). The romantic disappointments of the main characters make this film work.