THE MARK OF ZORRO is certainly a lively and entertaining film for its era, a movie that manages to surpass THE ADVENTURES OF ROBIN HOOD in terms of spectacle and excitement. And it absolutely destroys the modern-day adaptations of the story starring Antonio Banderas that seem positively dreadful by comparison.
The simple storyline sees Hollywood star Tyrone Power playing a double role: he's a mild-mannered aristocrat by day, and a vengeful, Robin Hood-style outlaw by night. Of course, this kind of narrative is entirely predictable, but the film's format is kept strong thanks to decent black and white cinematography and some good characterisations that feel reminiscent of a spaghetti western.
Power proves himself a likable and athletic hero - it was the first time I'd seen him in action - and he's more than matched by the excellent Basil Rathbone as a villain. THE MARK OF ZORRO also contains the best bit of fencing ever put on film, an extended duel that easily becomes one of the best fight scenes ever put on film, a real highlight of a good-natured and thoroughly enjoyable movie.
The simple storyline sees Hollywood star Tyrone Power playing a double role: he's a mild-mannered aristocrat by day, and a vengeful, Robin Hood-style outlaw by night. Of course, this kind of narrative is entirely predictable, but the film's format is kept strong thanks to decent black and white cinematography and some good characterisations that feel reminiscent of a spaghetti western.
Power proves himself a likable and athletic hero - it was the first time I'd seen him in action - and he's more than matched by the excellent Basil Rathbone as a villain. THE MARK OF ZORRO also contains the best bit of fencing ever put on film, an extended duel that easily becomes one of the best fight scenes ever put on film, a real highlight of a good-natured and thoroughly enjoyable movie.