8/10
An Extremely Bloody love letter to 35mm film
12 March 2015
"This movie exists only to impress you."

Acclaimed Japanese director, Shion Sono (Love Exposure, Suicide Club, Coldfish) has crafted a delirious and extremely over the top comedic action thriller which will surely impress audiences all around the globe. It's very difficult to try to write a review for a film like this that seems to be all over the place. It was a truly unique and crazy experience. At first it feels like the stories aren't related, but as the film progresses every single scene serves a purpose and it all comes together at the end. Sono is an artist and in this film we can see the passion he has with film. This is his love letter to 35mm filmmaking and he mixes several genres into one glorious experience. In a way it is similar to what Quentin Tarantino brings to his films. Over the top violent action sequences with a lot of fake CGI blood, a lot of humor thrown into the mix, and several movie references. Just like Tarantino referenced Bruce Lee in Kill Bill through Uma Thurman, there is a character here who also resembles Lee in his yellow and black uniform. However Sono doesn't follow a similar narrative structure as Tarantino and doesn't rely as much on the wise cracking dialogue. WDYPIH? has a very unique structure and it's hard to know what direction its heading at times because it seems to be all over the place. It is a crazy experience, but it is hard to resist. My only complaint is with the pacing of the film which at times seems to drag. I had fun with this movie, but I still found myself checking my watch once in a while. This could've been better if it was cut to around 90 minutes, but it is still a film I admire very much.

The film centers on a group of young film aficionados who dream and pray to the movie god that he allow them to make an epic film, but it is clear they aren't heading anywhere when ten years later all they've managed to do is make a one minute trailer. There is also a huge confrontation going on between two yakuza clans. The Kitagawa yakuza clan attacked the Muto yakuza clan at their leader's own home. Muto wasn't around, but his wife faced them off leaving a pool of blood behind. Due to the violent scene, the police never believed it was self defense and imprisoned Muto's wife for ten years. Their young daughter had a successful toothpaste commercial taken off the air as well due to the violent episode. Her dreams of becoming a successful actress were shattered by the removal of the commercial. The clans have declared a truce but as Muto's wife sentence is approaching its deadline war breaks out again between them. Muto must manage the confrontation while delivering on his promise to his wife of having her daughter become the star of a movie by the time she is released. He promises it will be epic and through fate he encounters these aspiring film aficionados who are given the perfect scenario to make the film they've been dreaming of making for the past ten years. Everything seems to be leading to an outrageously bloody conclusion as Muto plans to kill two birds with one stone.

Shine Sono's love and passion for Japanese cinema can be experienced here in this unique and extremely crazy love letter to film. It is over the top and full of energy, but it always remains imaginative. It is unlike any other film I've seen and manages to capture that nostalgic sense of a disappearing art form while remaining incredibly unique and energetic. This is an extremely violent and irreverent film, but it is so over the top that it never feels gory. It can become a bit tedious due to its long running time, but the ending fulfills and it is a film that will stick with you long after the credits role. The performances from Jun Kunimura as Muto, Shin'ichi Tsutsumi as Ikegami, and Itsuji Itao as Masuda stand out in this wacky and crazy film.

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