"Macabre" definitely wasn't the legendary director William Castle's most successful horror accomplishment, as this honor probably goes to either "House on Haunted Hill", "The Tingler" or "13 Ghosts". "Macabre" also wasn't Castle's coolest or most entertaining horror accomplishment, because according to yours truly that special title either goes to "Homicidal", "Mr. Sardonicus" or "Strait-Jacket". But one thing's for sure, namely that "Macabre" was Castle's very first horror flick AND the first time he tried out a nifty little gimmick, which would later become his trademark and his ultimate formula to fame & success. The gimmick here included that all spectators received a special type of insurance against "death by fright" and that a stern voice-over warns about the shocking impact of the film. It's all rather silly and cheesy by today's standards, but Castle's gimmicks quickly proved to be highly effective and he still remains one of the most imitated horror directors now, nearly forty years after his death. "Macabre" itself is extremely simplistic and low- budgeted, like all of William Castle's movies, but the plot is quite compelling and several sequences are drenched in an atmosphere that is
well
macabre! Small town doctor Rodney Barrett is confronted with the ultimate nightmare when he learns that his innocent 5-year- old daughter Marge has been kidnapped and lies buried alive somewhere with only five hours left to live. The doctor, along with his secretary and fragile old father-in-law, starts a frantic search for his little girl at the most obvious location – the local cemetery – but where to dig and who to trust? After all, the good doctor seemingly has quite a few enemies in town, including the rancorous Sheriff Tyloe, and (redundant) flashbacks show that he wasn't very kind to his deceased blind wife Alice. The race-against the clock aspect results in a handful of tense moments and most of all the scenes set at the fog-enshrouded graveyard at night are genuine horror highlights. The flashbacks and some of the plot- twists near the end are pretty dumb and merely raise the impression that William Castle only wanted to stretch the running time a bit, while other sequences (like for example the phone call from the kidnapper and nurse Polly's subsequent report to the doctor) are laughably inept. But who cares, as "Macabre" is a terrific piece of 50s horror and marked the start of the career of one of the most creative minds in cinema history.
