An alleged veteran is forced to come out of hiding by unforeseeable circumstances, he must employ his skill once more to overcome the problem. No, this is not John Wick or Taken. The Barber is more of a noir detective movie that matches two different characters with hidden identities. The two are embroiled in a quite interesting mind game, however the plot relies too heavily on far-fetched plot devices and coincidences which feels underwhelming and contrived at latter half.
The Barber Eugene (Scott Glenn) meets with the young ambitious John (Chris Coy). Right at the introduction, John is very aggressive in his approach, claiming that Eugene is in fact a serial killer. The two try to outsmart each other and the movie is pretty good on creating layers for both of them. Scott Glenn delivers the character with precision, often looking feeble but still charismatically bizarre when needs be.
For his counterpart, Chris Coy performs admirable as well. He exhibits the contradicting youth to Glenn's more experienced nature. The chemistry is there as each finds more about each other's secrets. Visually, the movie has fitting noir look, it sets in a small town and some of the scenes are beautifully shot.
Unfortunately, it often resorts to cheap plot devices. Characters would need to find or do things just in the right time and right place. The chances of these occurring are astronomically low, especially since they speak in vague manner, yet the movie pushes the scenes as if they are destined to be. Either because the alleged killer is near psychic or the victim is dumb. It is not a clever scheme or even a planned one, at some points the movie even utilizes more subplots and flashbacks, creating inconsistent pacing flow that never feels resolved.
This is a shame because it could've been more engaging if the plot was simplified, instead it becomes forced as it tries to set overly elaborate twists. If one can get pass the irregularities, there is a good acting presence that might just entertain more on human drama aspect than its murky mystery thrill.
The Barber Eugene (Scott Glenn) meets with the young ambitious John (Chris Coy). Right at the introduction, John is very aggressive in his approach, claiming that Eugene is in fact a serial killer. The two try to outsmart each other and the movie is pretty good on creating layers for both of them. Scott Glenn delivers the character with precision, often looking feeble but still charismatically bizarre when needs be.
For his counterpart, Chris Coy performs admirable as well. He exhibits the contradicting youth to Glenn's more experienced nature. The chemistry is there as each finds more about each other's secrets. Visually, the movie has fitting noir look, it sets in a small town and some of the scenes are beautifully shot.
Unfortunately, it often resorts to cheap plot devices. Characters would need to find or do things just in the right time and right place. The chances of these occurring are astronomically low, especially since they speak in vague manner, yet the movie pushes the scenes as if they are destined to be. Either because the alleged killer is near psychic or the victim is dumb. It is not a clever scheme or even a planned one, at some points the movie even utilizes more subplots and flashbacks, creating inconsistent pacing flow that never feels resolved.
This is a shame because it could've been more engaging if the plot was simplified, instead it becomes forced as it tries to set overly elaborate twists. If one can get pass the irregularities, there is a good acting presence that might just entertain more on human drama aspect than its murky mystery thrill.