America's existence, as a beacon for freedom and democracy around the world, has often seemed to be (and frequently is, in reality) a work in progress. Nowhere is that better illustrated in the event that is oftentimes known as the War Between The States (North and South), but generally known as the Civil War. A bitter war fought largely over the question of whether it was right to keep anyone, especially those of African descent, as slaves, the war almost eviscerated the country during four long bloody year, from 1861 to 1865. It was only when the 13th Amendment and the Emancipation Proclamation became law that the war ended, as too did slavery, and the long march toward full civil rights had really begun. This was the subject for the epic 3-part miniseries THE BLUE AND THE GRAY, which aired on CBS on November 14, 16, and 17, 1982.
The principal focus is on two families: the Geysers, a farm family from Charlottesville, Virginia who have no prurient interest in the issue of slavery that is essentially fueling the war but are sympathetic to the South; and the Hales, who are owners of a small newspaper in Gettysburg, Pennsylvania and anti-slavery/pro-Union. They become a microcosm of this long, costly, bloody war that nearly destroyed America before it could even reach its 90th year of existence as a country; and even in the Geyser family, there is a schism. Both families, though, do reunite after the end of the war, but not before the war more or less claims its last victim in President Abraham Lincoln, when John Wilkes Booth guns him down at Ford's Theatre.
In the meantime, the Civil War is re-enacted, under the bounds of what could be shown on television, with a fair amount of pain and horror without an over-reliance of melodrama, but with solid acting by a huge cast of great people, including Stacy Keach; Colleen Dewhurst; Lloyd Bridges; Warren Oates (in one of his last roles, as Major Welles); Sterling Hayden (as John Brown); Rip Torn (as General Ulysses S. Grant); Robert Vaughn; Paul Winfield; Julius Harris; Diane Baker; Rory Calhoun; and, last but not least, Gregory Peck, in his first-ever dramatic TV appearance, as Lincoln. All of this is brilliantly bought together by veteran director Andrew V. McLaglen, who had done the Civil War in fictional form prior to this, in the form of 1969's THE UNDEFEATED (with John Wayne), and 1965's SHENANDOAH (with James Stewart).
Even in the restrictive confines of TV, and even when compared to later films on the subject like GETTYSBURG and LINCOLN, THE BLUE AND THE GRAY does very little skimping over what war in general, and this singular war in particular, does to people not only on both sides of the battle lines but also to those innocents caught in the middle. And despite its extreme length, of close to six and a half hours, this is still one of the best miniseries ever produced in TV history. It should be watched by anyone serious in understanding our nation's history in general, and the Civil War in particular, and is essential just for anyone still interested in historically based storytelling, small screen or otherwise.
The principal focus is on two families: the Geysers, a farm family from Charlottesville, Virginia who have no prurient interest in the issue of slavery that is essentially fueling the war but are sympathetic to the South; and the Hales, who are owners of a small newspaper in Gettysburg, Pennsylvania and anti-slavery/pro-Union. They become a microcosm of this long, costly, bloody war that nearly destroyed America before it could even reach its 90th year of existence as a country; and even in the Geyser family, there is a schism. Both families, though, do reunite after the end of the war, but not before the war more or less claims its last victim in President Abraham Lincoln, when John Wilkes Booth guns him down at Ford's Theatre.
In the meantime, the Civil War is re-enacted, under the bounds of what could be shown on television, with a fair amount of pain and horror without an over-reliance of melodrama, but with solid acting by a huge cast of great people, including Stacy Keach; Colleen Dewhurst; Lloyd Bridges; Warren Oates (in one of his last roles, as Major Welles); Sterling Hayden (as John Brown); Rip Torn (as General Ulysses S. Grant); Robert Vaughn; Paul Winfield; Julius Harris; Diane Baker; Rory Calhoun; and, last but not least, Gregory Peck, in his first-ever dramatic TV appearance, as Lincoln. All of this is brilliantly bought together by veteran director Andrew V. McLaglen, who had done the Civil War in fictional form prior to this, in the form of 1969's THE UNDEFEATED (with John Wayne), and 1965's SHENANDOAH (with James Stewart).
Even in the restrictive confines of TV, and even when compared to later films on the subject like GETTYSBURG and LINCOLN, THE BLUE AND THE GRAY does very little skimping over what war in general, and this singular war in particular, does to people not only on both sides of the battle lines but also to those innocents caught in the middle. And despite its extreme length, of close to six and a half hours, this is still one of the best miniseries ever produced in TV history. It should be watched by anyone serious in understanding our nation's history in general, and the Civil War in particular, and is essential just for anyone still interested in historically based storytelling, small screen or otherwise.