Hammer Films produced a number of classics and an even larger number of very good, entertaining films and a few misses. While Dr Jekyll and Sister Hyde is not a classic, it is one of their better later films, and much better than Hammer's other Jekyll and Hyde re-imagining The Two Faces of Dr Jekyll.
Dr Jekyll and Sister Hyde looks incredibly good, no surprise seeing as Hammer's films always looked good no matter the quality of the rest of the film. The sets and lighting recreate the Victorian London era with lovingly and evocatively and they look sumptuous and splendidly Gothic. One also has to love the rich colours and the beautiful and atmospheric photography. It is not just that the production values look great that is really well done, but also how much it contributes towards the feel and atmosphere of the film, here the atmosphere is wonderfully moody and has a real sense of fear throughout, which were not always there as effectively in other later Hammer films.
The film also has a chillingly haunting, with also some touches of lush romanticism, score with an at times Rachmaninov sound to it, the dark richness of the orchestration adding so much. It also has the advantage of being well placed and used effectively, excepting some overblown moments in a couple of the transformation scenes. Dr Jekyll and Sister Hyde is very intelligently scripted, with some witty and thought-provoking dialogue, while the story(with one of Hammer's most innovative and pretty ingenious premises) is incredibly clever and enormous fun, the suspenseful and often very creepy atmosphere staying consistent all the time and the chills and scares come off tastefully and unsettlingly. Loved the use of the Jack the Ripper mystery, which really did give off a sense of dread, and the nod to Sweeney Todd. The transformation scenes are beautifully shot and boast good effects work and a real edge-of-your-seat tension. The film is strongly directed, the characters carry the narrative very well and the acting is solid; with Ralph Bates giving by far his best performance in a Hammer film and Martine Beswick- youthful beauty at its best- even better in a menacing but never over-the-top performance.
It's not perfect however, but comes close. There are a few pacing longueurs, where a few scenes towards the start dragged just a little. And while the film is incredibly entertaining, rich in atmosphere and does a great job with the majority of its ideas, others did come off rather clumsily, especially the anachronistic and out of place inclusion of Burke and Hare, leaving one wonder why they were included in the first place(a nod to Stevenson's story The Body Snatcher perhaps?).
Overall, while not without flaws and not one of the Hammer classics, it's one of their better later films and never fails to entertain, chill and engage, making the most out of a great premise. 8/10 Bethany Cox
Dr Jekyll and Sister Hyde looks incredibly good, no surprise seeing as Hammer's films always looked good no matter the quality of the rest of the film. The sets and lighting recreate the Victorian London era with lovingly and evocatively and they look sumptuous and splendidly Gothic. One also has to love the rich colours and the beautiful and atmospheric photography. It is not just that the production values look great that is really well done, but also how much it contributes towards the feel and atmosphere of the film, here the atmosphere is wonderfully moody and has a real sense of fear throughout, which were not always there as effectively in other later Hammer films.
The film also has a chillingly haunting, with also some touches of lush romanticism, score with an at times Rachmaninov sound to it, the dark richness of the orchestration adding so much. It also has the advantage of being well placed and used effectively, excepting some overblown moments in a couple of the transformation scenes. Dr Jekyll and Sister Hyde is very intelligently scripted, with some witty and thought-provoking dialogue, while the story(with one of Hammer's most innovative and pretty ingenious premises) is incredibly clever and enormous fun, the suspenseful and often very creepy atmosphere staying consistent all the time and the chills and scares come off tastefully and unsettlingly. Loved the use of the Jack the Ripper mystery, which really did give off a sense of dread, and the nod to Sweeney Todd. The transformation scenes are beautifully shot and boast good effects work and a real edge-of-your-seat tension. The film is strongly directed, the characters carry the narrative very well and the acting is solid; with Ralph Bates giving by far his best performance in a Hammer film and Martine Beswick- youthful beauty at its best- even better in a menacing but never over-the-top performance.
It's not perfect however, but comes close. There are a few pacing longueurs, where a few scenes towards the start dragged just a little. And while the film is incredibly entertaining, rich in atmosphere and does a great job with the majority of its ideas, others did come off rather clumsily, especially the anachronistic and out of place inclusion of Burke and Hare, leaving one wonder why they were included in the first place(a nod to Stevenson's story The Body Snatcher perhaps?).
Overall, while not without flaws and not one of the Hammer classics, it's one of their better later films and never fails to entertain, chill and engage, making the most out of a great premise. 8/10 Bethany Cox