Put me down for another Yank who ranks it a solid 7 I thought the three hours were tightly edited with no wasted scenes. What critical info, if any, was left out I do not know, as I watched this as a preliminary to reading about the robbery. Altho I can't comment on the period detail to the extent other posters here have ("the license plate serials actually didn't change til six month later" - WOW), I think the setting, styles, and lingo were all of a piece with other 60's London films and recreations.
So I enjoyed this quite a bit, including the levity - self-proclaimed "wanker boss", "key up me jacksie", Butler's smile on Thursday mornings, etc, which "offset Broadbent's stern gravity and Evans's Jon Hamm like 60's charm offensive.
I especially liked the portrayal of the Butler-Williams relationship and how despite Butler's fears his underling would give more away to his "snouts" than he got, Williams' contacts did lead to at least some grassing.
The final Heat-style "confrontation" with Reynolds claiming a "victimless" crime leading to such enormous sentences (yet, he was out in nine) would lead to the much greater use of guns in robberies seemed egregiously revisionist, but I suppose among the many contributing factors to that sad development was the sentencing in this case. Goody apparently was straight out framed (Paul Anderson in another wonderful performance.) Certainly in hindsight a crime committed by 15 men with at least half a dozen accomplices and netting so much cash was fated to go bust. But that Butler had to delay retirement for so long was a testimony not just to his vocation, but also to the robbers' use of that critical "luck" factor. The fact Butler left a mess for Nipper Read and had allowed Williams to go way too far off the reservation is subject matter for other films.
Still, film has to make an emotional as well as an informational mark, and I'm left wanting to chalk this one up for the bad boys. Mix south London and Brighton firms and you apparently got a very lively lot. "Dreaming big", and establishing the same bond of camaraderie the Flying Squad unit did evidently trumped even the millions. Or so this engrossing film would have us believe.
So I enjoyed this quite a bit, including the levity - self-proclaimed "wanker boss", "key up me jacksie", Butler's smile on Thursday mornings, etc, which "offset Broadbent's stern gravity and Evans's Jon Hamm like 60's charm offensive.
I especially liked the portrayal of the Butler-Williams relationship and how despite Butler's fears his underling would give more away to his "snouts" than he got, Williams' contacts did lead to at least some grassing.
The final Heat-style "confrontation" with Reynolds claiming a "victimless" crime leading to such enormous sentences (yet, he was out in nine) would lead to the much greater use of guns in robberies seemed egregiously revisionist, but I suppose among the many contributing factors to that sad development was the sentencing in this case. Goody apparently was straight out framed (Paul Anderson in another wonderful performance.) Certainly in hindsight a crime committed by 15 men with at least half a dozen accomplices and netting so much cash was fated to go bust. But that Butler had to delay retirement for so long was a testimony not just to his vocation, but also to the robbers' use of that critical "luck" factor. The fact Butler left a mess for Nipper Read and had allowed Williams to go way too far off the reservation is subject matter for other films.
Still, film has to make an emotional as well as an informational mark, and I'm left wanting to chalk this one up for the bad boys. Mix south London and Brighton firms and you apparently got a very lively lot. "Dreaming big", and establishing the same bond of camaraderie the Flying Squad unit did evidently trumped even the millions. Or so this engrossing film would have us believe.