Yorgos Lanthimos gives us another taste of his monotone storytelling with 'The Lobster'. The story revolves around several nameless people who exist in a society that demands people to be in a relationship, or be transformed into the animal of their choice and be expelled into the wilderness to fend for themselves. Those who either become single through break-up or becoming widowed are sent to a hotel-like prison where they are cared for, but only for 45 days. If they fail to find a suitable mate, they are transformed and expelled.
It doesn't take long to realize that you're not watching a Sci-Fi flick, but more so a satire on relationships and how people should always be a part of one, that single life is frowned upon. Colin Farrell's character attempts to jump through the hoops of the hotel by doing as they please, but his and other people's mentalities reveal that they cannot stay in that environment and would rather live amongst the Loners who vacate the forests, or die.
We learn that mostly everyone who is a guest at the hotel is repulsive in some way: looks, attitude, or even a minor speech impediment. Eventually, it is understood that this brood of people -- losers, if you will -- are still supposed to be given a chance to find a mate and then live the rest of their dull life with that mate in order to avoid transformation.
While the film exaggerates for our entertainment, it paints a very clear picture about how we perceive relationships and how we must be in one to complete our lives. Clearly, the attitude towards this idea is frowned upon (without going into Spoilers). The entire cast does a great job meeting the tonal demand of Lanthimos' films: dry, monotone, and almost no emotion. Farrell does a great job being terribly awkward. Rachel Weisz narrates the film, reading awkward lines in exchange for laughs. This film should be praised for its photography and script, but not for its length. Perhaps 20-30 minutes could have been shaved off to spare one from nodding off at times, just waiting for the end to come.
'The Lobster' probably could have been a lot better had it been shorter. Despite its great script and hilarious pacing, the film eventually falls flat when it probably could have stayed on its feet.
It doesn't take long to realize that you're not watching a Sci-Fi flick, but more so a satire on relationships and how people should always be a part of one, that single life is frowned upon. Colin Farrell's character attempts to jump through the hoops of the hotel by doing as they please, but his and other people's mentalities reveal that they cannot stay in that environment and would rather live amongst the Loners who vacate the forests, or die.
We learn that mostly everyone who is a guest at the hotel is repulsive in some way: looks, attitude, or even a minor speech impediment. Eventually, it is understood that this brood of people -- losers, if you will -- are still supposed to be given a chance to find a mate and then live the rest of their dull life with that mate in order to avoid transformation.
While the film exaggerates for our entertainment, it paints a very clear picture about how we perceive relationships and how we must be in one to complete our lives. Clearly, the attitude towards this idea is frowned upon (without going into Spoilers). The entire cast does a great job meeting the tonal demand of Lanthimos' films: dry, monotone, and almost no emotion. Farrell does a great job being terribly awkward. Rachel Weisz narrates the film, reading awkward lines in exchange for laughs. This film should be praised for its photography and script, but not for its length. Perhaps 20-30 minutes could have been shaved off to spare one from nodding off at times, just waiting for the end to come.
'The Lobster' probably could have been a lot better had it been shorter. Despite its great script and hilarious pacing, the film eventually falls flat when it probably could have stayed on its feet.