The early 1970s B picture "Terminal Island" has an effective premise with which to work. In the "future", the Supreme Court has declared the death penalty unconstitutional. In its place, criminals are now dumped on an island 40 miles off the American coast. Here they're (mostly) left to fend for themselves. The latest arrival is a young woman, Carmen (Ena Hartman), who's just in time to witness an uprising. Some of the convicts are tired of the tyranny of their "leaders" Bobby (Sean Kenney, "The Corpse Grinders") and Monk (Roger E. Mosley, "The Mack"). So a small group splits off from the main group, and plots revolution.
Co-written by James Barnett, producer Charles S. Swartz, and director Stephanie Rothman ("The Velvet Vampire"), "Terminal Island" is pretty good for this kind of exploitation fare. It fulfils its requirements - violence, sex, nudity - adequately, and is simply beautifully shot (by Daniel Lacambre, "Humanoids from the Deep") on some pretty locations. While it naturally has its trashy moments, it never really wallows in unpleasantness, and it does have a sense of humour, to boot. (Watch how the horny character, Dylan (Clyde Ventura, "'Gator Bait") is dealt with.) The story is a little thin, but is also provocative on occasion. (Dr. Milford, played by a young Tom Selleck, was convicted of the mercy killing of a patient.)
The cast is full of then-stars, stars-to-be, and familiar character faces. Also appearing are Don Marshall ("The Thing with Two Heads"), Phyllis Davis ("Beyond the Valley of the Dolls"), Marta Kristen ('Lost in Space'), Barbara Leigh ("Junior Bonner"), Geoffrey Deuel ("Chisum"), James Whitworth (Papa Jupe in Wes Cravens' "The Hills Have Eyes"), Richard Stahl ("Nine to Five"), Sandy Ward ("Cujo"), and Albert Cole ("The Incredible 2-Headed Transplant"). The film gained newfound attention when Selleck and Mosley found later fame on 'Magnum P.I.'. Kenney and Mosley are particularly fun as the antagonists of the piece.
Full of solid squib action and some satisfying explosions, "Terminal Island" is worthy of discovery by devotees of the B pictures of decades past.
Seven out of 10.
Co-written by James Barnett, producer Charles S. Swartz, and director Stephanie Rothman ("The Velvet Vampire"), "Terminal Island" is pretty good for this kind of exploitation fare. It fulfils its requirements - violence, sex, nudity - adequately, and is simply beautifully shot (by Daniel Lacambre, "Humanoids from the Deep") on some pretty locations. While it naturally has its trashy moments, it never really wallows in unpleasantness, and it does have a sense of humour, to boot. (Watch how the horny character, Dylan (Clyde Ventura, "'Gator Bait") is dealt with.) The story is a little thin, but is also provocative on occasion. (Dr. Milford, played by a young Tom Selleck, was convicted of the mercy killing of a patient.)
The cast is full of then-stars, stars-to-be, and familiar character faces. Also appearing are Don Marshall ("The Thing with Two Heads"), Phyllis Davis ("Beyond the Valley of the Dolls"), Marta Kristen ('Lost in Space'), Barbara Leigh ("Junior Bonner"), Geoffrey Deuel ("Chisum"), James Whitworth (Papa Jupe in Wes Cravens' "The Hills Have Eyes"), Richard Stahl ("Nine to Five"), Sandy Ward ("Cujo"), and Albert Cole ("The Incredible 2-Headed Transplant"). The film gained newfound attention when Selleck and Mosley found later fame on 'Magnum P.I.'. Kenney and Mosley are particularly fun as the antagonists of the piece.
Full of solid squib action and some satisfying explosions, "Terminal Island" is worthy of discovery by devotees of the B pictures of decades past.
Seven out of 10.