Too many characters, too many nonsensical plot-twists and an ugly view of post-war political intrigue, this seems forced and too perplexing to enjoy. Certainly a predecessor to the many cold war adventures of the 60's, this one isn't among the list of the classics of that genre. Surrounding lead Dan Duryea are some great character performers, but frankly there are way too many of them which made me lose interest after I recognized them.
Steamy, foggy photography takes the Shanghai setting to mysterious places and if its attractive to look at, its forced at best. Surrounding the kidnapping of a nuclear scientist, this has good intentions but never really gets off the ground. There's of course a seductive femme fatal, Asian girls who speak very Americanized English and enough seedy characters to fill a dozen film noir. Duryea looks much aged and his anti-hero is a bit sleazy. Standing out is veteran villain Douglas Dumbrille and even Dr. Watson himself, Nigel Bruce, in his last film. Among the Asian actors is veteran Keye Luke. Gene Lockhart is typecast as his typical amoral businessman on the the side of the bad guys.
As an early work of director Robert Aldrich, this shows his potential as a filmmaker but lacks in what made him so great later on: complex intrigue and mystery with a touch of the new wave. This lacks even the status of being an interesting failure.
Steamy, foggy photography takes the Shanghai setting to mysterious places and if its attractive to look at, its forced at best. Surrounding the kidnapping of a nuclear scientist, this has good intentions but never really gets off the ground. There's of course a seductive femme fatal, Asian girls who speak very Americanized English and enough seedy characters to fill a dozen film noir. Duryea looks much aged and his anti-hero is a bit sleazy. Standing out is veteran villain Douglas Dumbrille and even Dr. Watson himself, Nigel Bruce, in his last film. Among the Asian actors is veteran Keye Luke. Gene Lockhart is typecast as his typical amoral businessman on the the side of the bad guys.
As an early work of director Robert Aldrich, this shows his potential as a filmmaker but lacks in what made him so great later on: complex intrigue and mystery with a touch of the new wave. This lacks even the status of being an interesting failure.