Set in apartheid South Africa, this courtroom drama is based on true events. It looks at the case of a young white man accused of shooting dead seven black men in a seemingly motiveless scenario. It soon became apparent that he worked in a high security prison as a guard in the death row unit, where his daily routines had him simultaneously look after the prisoners and also lead them to the gallows. His defence team tried to prove his actions were a direct result of the psychological trauma that came from such a disturbing and stressful environment.
I thought this was a somewhat unusual courtroom drama. In most examples of the genre we are presented with a clear cut scenario where the film-makers make it quite clear who we will be rooting for. This one, by contrast, operates almost exclusively in shades of grey. Unlike how it is usually done, the lawyers on both sides of the argument are presented fairly. In most films of this type the opposing lawyer is generally shown to be a moral degenerate; in this one the prosecution attorney, played by Andrea Riseborough, is often represented as more reasonable that the main protagonist, the defence lawyer played by Steve Coogan. This measured approach is to be commended, as it comes over as more realistic and less manipulative. It also serves to ensure that the courtroom scenes are slightly underplayed, meaning that the flash-back scenes to the parts depicting the executions seem even more horrific by direct comparison. These scenes in particular are perhaps what ultimately defines this film as they show capital punishment in intensely graphic detail and are very disturbing. It's many of the little horrible human details of the process that will stick long in the memory.
The story itself resolves itself in a way that is more complex than these films usually allow themselves to be. Coogan essentially wins his case against the system but in doing so gets his client a deal which feels – to me in any case – far too lenient and it is the black under-class who ultimately do not fully get justice. While at the same time, the reason given for triggering the murder seemed, to say the least, questionable. The case actually seemed horribly like a miscarriage of justice in an unfair society in all honesty. But through this case many things are examined quite effectively. Chief of these being the sheer horror of the death penalty mechanism and the way that it can sometimes be forgotten that it is ultimately a very violent and disturbing process. I think this film was highly interesting in that it is not about comforting resolutions - the resolution made me feel very uneasy in fact – but it feels truer to life for all that. It makes you ponder issues of justice, capital punishment and – even though it never comes out explicitly – racism. A very thought-provoking film overall.
I thought this was a somewhat unusual courtroom drama. In most examples of the genre we are presented with a clear cut scenario where the film-makers make it quite clear who we will be rooting for. This one, by contrast, operates almost exclusively in shades of grey. Unlike how it is usually done, the lawyers on both sides of the argument are presented fairly. In most films of this type the opposing lawyer is generally shown to be a moral degenerate; in this one the prosecution attorney, played by Andrea Riseborough, is often represented as more reasonable that the main protagonist, the defence lawyer played by Steve Coogan. This measured approach is to be commended, as it comes over as more realistic and less manipulative. It also serves to ensure that the courtroom scenes are slightly underplayed, meaning that the flash-back scenes to the parts depicting the executions seem even more horrific by direct comparison. These scenes in particular are perhaps what ultimately defines this film as they show capital punishment in intensely graphic detail and are very disturbing. It's many of the little horrible human details of the process that will stick long in the memory.
The story itself resolves itself in a way that is more complex than these films usually allow themselves to be. Coogan essentially wins his case against the system but in doing so gets his client a deal which feels – to me in any case – far too lenient and it is the black under-class who ultimately do not fully get justice. While at the same time, the reason given for triggering the murder seemed, to say the least, questionable. The case actually seemed horribly like a miscarriage of justice in an unfair society in all honesty. But through this case many things are examined quite effectively. Chief of these being the sheer horror of the death penalty mechanism and the way that it can sometimes be forgotten that it is ultimately a very violent and disturbing process. I think this film was highly interesting in that it is not about comforting resolutions - the resolution made me feel very uneasy in fact – but it feels truer to life for all that. It makes you ponder issues of justice, capital punishment and – even though it never comes out explicitly – racism. A very thought-provoking film overall.