Having really enjoyed Michelle Yeoh in her breakthrough film POLICE ASSASSINS, I was eager to watch this adventure film which by all accounts starred the actress in an Indiana Jones-type role. There were no real surprises in this film, which is a somewhat shallow action-adventure with a lot of laughs and a lot of explosions. The film is much-lauded for an early battle in which Yeoh uses her whip to take on various thugs, thus inspiring Jackie Chan in SHANGHAI NOON, and it's highly amusing stuff.
The film is technically proficient, and there's no faulting the slick choreography of the many battles. The budget is a bit less than you'd imagine, and events often seem closed in, as you'd expect in a low budget cheapie. Director David Chung also did the excellent POLICE ASSASSINS but he seems to be slightly lacking in inspiration here; one of the low lights is an early dog fight which seems to go on for an age without anything happening, and when they kept repeating the same bit of supposedly-stirring music over and over AND OVER again, I was ready to tear my hair out. Characterisation is nil; Yeoh is the tough heroine, yes, but we never find out any of her motivations and she seems like a computer game character.
There are some mildly annoying supporting characters in the film, including those played by Cindy Lau and Lo Lowell; they grate from the instant they appear. The only person who comes out of it with any kudos is Richard Ng, in a bumped-up role as the second lead; while he delivers the same type of slapstick buffoonery that we have come to expect from his acting roles, he's given plenty of screen time, including heroics in the battles, and he's as great as ever. It's left to the supporting likes of Hwang Jang Lee, Lo Meng, and Fung Hark-On to really get into their characters of devious Japanese bad guys; these guys – who I consider to be among the "unsung heroes" of '80s Hong Kong cinema - are as great as ever.
The film takes a turn for the great about an hour in, turning into a running fight between the heroes and villagers against the might of the Japanese army. The martial arts bouts are crisply done and with plenty of great stunts, usually involving people getting thrown through scenery. There are some nice battles in burning buildings and things really go crazy for ten minutes or so as director Chung lets his hair down and has some fun. Things close with a nice extended battle scene as the walled village faces the Japanese army. Although it looks fairly cheap – reminding me of similar scenes in the no-budget Filipino film, DUNE WARRIORS – there are lots of shoot-outs, explosions, and various cool stunts/moments of slow motion as the bad guys get their just desserts and the heroes triumph. Hardly a surprise, but a nice rousing climax to finish off the film, ending it on a strong note.
The film is technically proficient, and there's no faulting the slick choreography of the many battles. The budget is a bit less than you'd imagine, and events often seem closed in, as you'd expect in a low budget cheapie. Director David Chung also did the excellent POLICE ASSASSINS but he seems to be slightly lacking in inspiration here; one of the low lights is an early dog fight which seems to go on for an age without anything happening, and when they kept repeating the same bit of supposedly-stirring music over and over AND OVER again, I was ready to tear my hair out. Characterisation is nil; Yeoh is the tough heroine, yes, but we never find out any of her motivations and she seems like a computer game character.
There are some mildly annoying supporting characters in the film, including those played by Cindy Lau and Lo Lowell; they grate from the instant they appear. The only person who comes out of it with any kudos is Richard Ng, in a bumped-up role as the second lead; while he delivers the same type of slapstick buffoonery that we have come to expect from his acting roles, he's given plenty of screen time, including heroics in the battles, and he's as great as ever. It's left to the supporting likes of Hwang Jang Lee, Lo Meng, and Fung Hark-On to really get into their characters of devious Japanese bad guys; these guys – who I consider to be among the "unsung heroes" of '80s Hong Kong cinema - are as great as ever.
The film takes a turn for the great about an hour in, turning into a running fight between the heroes and villagers against the might of the Japanese army. The martial arts bouts are crisply done and with plenty of great stunts, usually involving people getting thrown through scenery. There are some nice battles in burning buildings and things really go crazy for ten minutes or so as director Chung lets his hair down and has some fun. Things close with a nice extended battle scene as the walled village faces the Japanese army. Although it looks fairly cheap – reminding me of similar scenes in the no-budget Filipino film, DUNE WARRIORS – there are lots of shoot-outs, explosions, and various cool stunts/moments of slow motion as the bad guys get their just desserts and the heroes triumph. Hardly a surprise, but a nice rousing climax to finish off the film, ending it on a strong note.