The Wave is a German foreign language film in the drama genre. It's Lord of the Flies meets The Stanford Prison Project. If you like foreign films for the nonformulaic content, this one is for you. The Wave is a must see for anyone interested in social studies, leadership, teaching, Nazism, or group psychology. It's a didactic cautionary tale.
The plot follows Rainer Wenger, the "cool teacher" at a modern German high school. Contrary to his rock 'n' roll, anarchist beliefs, he is assigned to teach a class on autocracy. The teacher uses the project to turn the classroom into a social experiment. Along with the natural momentum of the crowd, "Herr Wenger" forms and leads a "movement," by organizing the students into a single unit with militant discipline. What follows is a transformation of the students as they galvanize around the group mentality, sense of purpose, unity, belonging, structure, and mob mentality. They radically shift their personalities and become inspired. It's a study in groupthink versus individualism.
In all fairness, it's not a suspense film. The Wave features a large cast of well-developed characters. The acting was on point and you could see the fruits of the direction. Once again Europe proves that you don't need a fortune to produce quality entertainment.
As an aside, Lord of the Flies was written by William Golding, a Jew, as a commentary on the potential for the average person to get swept up in Nazism. As with Jewish social scientists Maslow and Milgram, they wanted to demonstrate that the Nazi menace could happen anywhere and was not exclusive to Germany because of a cultural predisposition to authoritarianism. Golding was also British and he wanted to challenge the notion of English cultural superiority.
Ironically, the Nazis at first lambasted psychology as the "Jewish medicine." Indeed, Freud and his disciples were Jewish, reflecting an historical interest in the subject dating back to Joseph, the biblical Israelite patriarch and dream interpreter. The psychoanalytic school had a token, "Aryan" Carl Gustav Jung.
Jung started out as a student and close friend of Freud. They broke over philosophical and personal differences. Jung, with his theory of the "Collective Unconscious," specialized in organizational psychology. When the Nazis took over, most of the top psychologists fled Germany because they were either Jews or friends with Jews. They saw the writing on the wall and were too intelligent to go along with the program. Ever the devoted German, Jung remained, with fateful consequences.
Hitler and Goebbles did an aboutface and realized the validity of psychology. Jung was recruited into the Nazi Party and became their top psychologist. He worked hand-in-hand with Propaganda Minister Goebbles in the Ministry of Information. The "Collective Unconscious" quickly became the "Racial Unconscious." Jung had a direct and responsible hand in designing Nazi rallies, for maximum impact. For example, there were torches used as decoration, the thinking being that it would inspire the rank-and-file by hearkening back to pagan roots--unconsciously.
Some people believe Jung's betrayal of humanity was motivated by a personal betrayal of Freud. He fell victim to his own programming. In one scene, Herr Wenger is seen wearing a T-shirt with the name Marie Curie depicted. Curie was the French scientist who discovered radium and later died from its poisoning. Wenger's character arc follows a similar path, not unlike the classic German fairytale of Frankenstein's Monster.
In the '80s, the Americans made a similar film to this one, but it drew the characters in stark contrast rather than shades of grey.
The Wave had many subtleties and complexities to it. The psychological phenomenon of the "lone gunman" is broached. There is criticism of the Left, as well as the Right. In one scene, the hippie character urges a school newspaper editor to manufacture news to the detriment of The Wave, because "the end justifies the means," echoing voices on the American Far Left. The Nazis were big believers in the ends justifying the means. As long as people hold fast to the notion, they can become capable of anything. The Wave illustrates this point beautifully. It's meaningful edutainment.
The plot follows Rainer Wenger, the "cool teacher" at a modern German high school. Contrary to his rock 'n' roll, anarchist beliefs, he is assigned to teach a class on autocracy. The teacher uses the project to turn the classroom into a social experiment. Along with the natural momentum of the crowd, "Herr Wenger" forms and leads a "movement," by organizing the students into a single unit with militant discipline. What follows is a transformation of the students as they galvanize around the group mentality, sense of purpose, unity, belonging, structure, and mob mentality. They radically shift their personalities and become inspired. It's a study in groupthink versus individualism.
In all fairness, it's not a suspense film. The Wave features a large cast of well-developed characters. The acting was on point and you could see the fruits of the direction. Once again Europe proves that you don't need a fortune to produce quality entertainment.
As an aside, Lord of the Flies was written by William Golding, a Jew, as a commentary on the potential for the average person to get swept up in Nazism. As with Jewish social scientists Maslow and Milgram, they wanted to demonstrate that the Nazi menace could happen anywhere and was not exclusive to Germany because of a cultural predisposition to authoritarianism. Golding was also British and he wanted to challenge the notion of English cultural superiority.
Ironically, the Nazis at first lambasted psychology as the "Jewish medicine." Indeed, Freud and his disciples were Jewish, reflecting an historical interest in the subject dating back to Joseph, the biblical Israelite patriarch and dream interpreter. The psychoanalytic school had a token, "Aryan" Carl Gustav Jung.
Jung started out as a student and close friend of Freud. They broke over philosophical and personal differences. Jung, with his theory of the "Collective Unconscious," specialized in organizational psychology. When the Nazis took over, most of the top psychologists fled Germany because they were either Jews or friends with Jews. They saw the writing on the wall and were too intelligent to go along with the program. Ever the devoted German, Jung remained, with fateful consequences.
Hitler and Goebbles did an aboutface and realized the validity of psychology. Jung was recruited into the Nazi Party and became their top psychologist. He worked hand-in-hand with Propaganda Minister Goebbles in the Ministry of Information. The "Collective Unconscious" quickly became the "Racial Unconscious." Jung had a direct and responsible hand in designing Nazi rallies, for maximum impact. For example, there were torches used as decoration, the thinking being that it would inspire the rank-and-file by hearkening back to pagan roots--unconsciously.
Some people believe Jung's betrayal of humanity was motivated by a personal betrayal of Freud. He fell victim to his own programming. In one scene, Herr Wenger is seen wearing a T-shirt with the name Marie Curie depicted. Curie was the French scientist who discovered radium and later died from its poisoning. Wenger's character arc follows a similar path, not unlike the classic German fairytale of Frankenstein's Monster.
In the '80s, the Americans made a similar film to this one, but it drew the characters in stark contrast rather than shades of grey.
The Wave had many subtleties and complexities to it. The psychological phenomenon of the "lone gunman" is broached. There is criticism of the Left, as well as the Right. In one scene, the hippie character urges a school newspaper editor to manufacture news to the detriment of The Wave, because "the end justifies the means," echoing voices on the American Far Left. The Nazis were big believers in the ends justifying the means. As long as people hold fast to the notion, they can become capable of anything. The Wave illustrates this point beautifully. It's meaningful edutainment.