"John Rabe", the title of this film, is a name that not really that many people have heard of so far, so this is already one perspective from which it made sense that Florian Gallenberger made this movie. He is an Academy Award winner and this is one of the reasons why he is still among Germany's most known filmmakers these days. Here he adapted the book by Erwin Wickert and directed as well. I read somewhere that Ulrich Mühe was supposed to play the main character, which also would have been an interesting choice, but Mühe's ill-fated health got in the way and the consequence was Ulrich Tukur taking over in what can be considered a career-defining performance. I believe he was very convincing as the title character. And he also looks quite different physically compared to other roles from his career. The best supporting performance here comes from Steve Buscemi and he is an actor that you would not really expect in a film like this with France, China and Germany being the countries who are listed under producing. This came out shortly before Buscemi appeared on "Boardwalk Empire".
After watching this film, I must say that it's nice that Rabe got his own film finally. But I also believe this movie is probably more relevant to Chinese (maybe even Japanese) audiences because of the historic impact depicted in here. Pretty much the entire film is set in China of the 1930s, before World War II when bloody conflicts between Japanese and Chinese (with the former being the aggressor) happened way too frequently sadly. I read somewhere that the character of John Rabe has some parallels to Oskar Schindler and I would agree, but just partially. The context is really entirely different and the location where it all takes place is reason enough already to be careful with such a comparison, even if both men had saved many many innocent lives. This movie here was a huge success at the German Film Awards back then and won the big prize among others. It was another example of Gallenberger combining Germany with an entirely different country far far away in terms of plot and story-telling and it is one of his biggest successes so far.
This was not the first time Gallenberger worked with actor Daniel Brühl, but I must say I found Brühl very forgettable here. It is a very stereotypical performance and I have seen pretty much the exact performance by Brühl in many films in terms of mannerisms and approach to the character. He has two or three films where he is pretty great, but he is basically very much the same in everything else. But back to this film here. I think the biggest strength is that it never only relies on the Rabe plot, but brings in several side stories, such as the one with the girl who is about to get raped and her brother saving her. I also don't think it takes away any relevance from Rabe as the main character as Tukur immediately has audiences glued to the screen when he is in the center of attention. I do believe this was a convincing film overall and the good outweighs the bad. It did not make as much of an emotional impact for me as I hoped, but there are still a handful fairly great and memorable scenes and moments. Go see it.
After watching this film, I must say that it's nice that Rabe got his own film finally. But I also believe this movie is probably more relevant to Chinese (maybe even Japanese) audiences because of the historic impact depicted in here. Pretty much the entire film is set in China of the 1930s, before World War II when bloody conflicts between Japanese and Chinese (with the former being the aggressor) happened way too frequently sadly. I read somewhere that the character of John Rabe has some parallels to Oskar Schindler and I would agree, but just partially. The context is really entirely different and the location where it all takes place is reason enough already to be careful with such a comparison, even if both men had saved many many innocent lives. This movie here was a huge success at the German Film Awards back then and won the big prize among others. It was another example of Gallenberger combining Germany with an entirely different country far far away in terms of plot and story-telling and it is one of his biggest successes so far.
This was not the first time Gallenberger worked with actor Daniel Brühl, but I must say I found Brühl very forgettable here. It is a very stereotypical performance and I have seen pretty much the exact performance by Brühl in many films in terms of mannerisms and approach to the character. He has two or three films where he is pretty great, but he is basically very much the same in everything else. But back to this film here. I think the biggest strength is that it never only relies on the Rabe plot, but brings in several side stories, such as the one with the girl who is about to get raped and her brother saving her. I also don't think it takes away any relevance from Rabe as the main character as Tukur immediately has audiences glued to the screen when he is in the center of attention. I do believe this was a convincing film overall and the good outweighs the bad. It did not make as much of an emotional impact for me as I hoped, but there are still a handful fairly great and memorable scenes and moments. Go see it.