Yo Hinomura (Mark Dacascos) is Freeman, an assassin for the Chinese order The Sons of the Dragons, sent to Canada to deal with the Yakuza who are causing trouble in their homeland. When beautiful artist Emu (Julie Condra) witnesses Yo at work, she becomes his next target, but when the killer comes a-calling, intending to bump off his witness, he winds up falling in love with her instead.
There's more than a little of the John Woo about Christophe Gans' live-action manga Crying Freeman: assassins and gangsters with a code of honour, an innocent woman caught in the middle of a bitter feud, lots of juicy bullet squibs, and more ballistic action and swordplay than you can shake a katana at. Of course, that in itself doesn't guarantee a good film, and Crying Freeman does suffer a little from an overly-ponderous tone, not helped by an excess of slow motion (another Woo trademark). There's also a disappointing lack of martial arts from its talented star Mark Dacascos.
The good news is, however, that the positives outweighs the negatives: Dacascos puts in a fine central performance as the regretful killer who sheds a tear with every mission, the cinematography is great, the violence is satisfyingly brutal (and suitably balletic), and Gans balances the action and the romance confidently. The result is a stylish film that, while no classic, should still be well worth the time for most action fans.
6.5 out of 10, rounded up to 7 for IMDb.
There's more than a little of the John Woo about Christophe Gans' live-action manga Crying Freeman: assassins and gangsters with a code of honour, an innocent woman caught in the middle of a bitter feud, lots of juicy bullet squibs, and more ballistic action and swordplay than you can shake a katana at. Of course, that in itself doesn't guarantee a good film, and Crying Freeman does suffer a little from an overly-ponderous tone, not helped by an excess of slow motion (another Woo trademark). There's also a disappointing lack of martial arts from its talented star Mark Dacascos.
The good news is, however, that the positives outweighs the negatives: Dacascos puts in a fine central performance as the regretful killer who sheds a tear with every mission, the cinematography is great, the violence is satisfyingly brutal (and suitably balletic), and Gans balances the action and the romance confidently. The result is a stylish film that, while no classic, should still be well worth the time for most action fans.
6.5 out of 10, rounded up to 7 for IMDb.