Awkward, yet brilliant and obsessive scientist Seth Brundle (superbly played by Jeff Goldblum) creates a teleportation machine that can transport objects from one pod to another. Things go terribly awry after Seth accidentally merges himself with a housefly. Moreover, his scared, but concerned journalist girlfriend Veronica Quaife (a fine and affecting performance by Geena Davis) decides to stay by Seth's side no matter what happens.
David Cronenberg brings a commendable amount of depth, gravity, and maturity to the gripping story, with the doomed romance between the two main characters giving this picture a poignancy and resonance that makes it substantially more than just another creature feature or mindless splatterfest (although it has to be noted that this movie most definitely doesn't shy away from depicting the extreme mental and physical transformation of Brundle into a hideous mutant in an often shocking and unflinching explicit manner). Better still, the central premise serves as a potent metaphor for everything from cancer to drug addiction to how the ravages of time and age take a harsh toll on us all as we get older. Cronenberg and Charles Edward Pogue's take-no-prisoners uncompromising script deserves praise for having the strength of its bleak convictions -- there's no hokey happy ending to be found here -- and further adds inspired touches of black humor to stop this film from becoming too intolerable in its grimness. In addition, it's a nice touch to have Veronica's obnoxious and unlikable boss and ex-boyfriend Stathis Borans (a deliciously odious portrayal by John Getz) come through as a sort of hero at the shattering climax. Joy Boushel contributes a memorably sexy turn as slutty barroom pickup Tawny while Cronenberg has a neat cameo as a gynecologist in a startling nightmare sequence. The Oscar-winning special f/x by Chris Walas are quite convincing and revolting. Kudos are also in order for Mark Irwin's polished cinematography and Howard Shore's outstanding operatic score. Essential viewing for Cronenberg fans and 80's horror aficionados alike.
David Cronenberg brings a commendable amount of depth, gravity, and maturity to the gripping story, with the doomed romance between the two main characters giving this picture a poignancy and resonance that makes it substantially more than just another creature feature or mindless splatterfest (although it has to be noted that this movie most definitely doesn't shy away from depicting the extreme mental and physical transformation of Brundle into a hideous mutant in an often shocking and unflinching explicit manner). Better still, the central premise serves as a potent metaphor for everything from cancer to drug addiction to how the ravages of time and age take a harsh toll on us all as we get older. Cronenberg and Charles Edward Pogue's take-no-prisoners uncompromising script deserves praise for having the strength of its bleak convictions -- there's no hokey happy ending to be found here -- and further adds inspired touches of black humor to stop this film from becoming too intolerable in its grimness. In addition, it's a nice touch to have Veronica's obnoxious and unlikable boss and ex-boyfriend Stathis Borans (a deliciously odious portrayal by John Getz) come through as a sort of hero at the shattering climax. Joy Boushel contributes a memorably sexy turn as slutty barroom pickup Tawny while Cronenberg has a neat cameo as a gynecologist in a startling nightmare sequence. The Oscar-winning special f/x by Chris Walas are quite convincing and revolting. Kudos are also in order for Mark Irwin's polished cinematography and Howard Shore's outstanding operatic score. Essential viewing for Cronenberg fans and 80's horror aficionados alike.