A decade after Jane Russell made her film debut in Howard Hughes' "The Outlaw", she's back in a Western as an outlaw herself. The real Belle Starr was a horse thief and all around bad girl, but teaming her up in this picture with the Dalton Gang was a figment of Hollywood's imagination like so many other Western movie treatments. Even the composition of the Dalton Brothers was botched in this one, there was no Ben Dalton, as the brothers who rode together as outlaws were Emmett, Bob and Gratham, Grat for short.
This is a curious story, as Belle Starr's allegiance to the Daltons, and particularly Bob (Scott Brady), is tested along the way through misunderstanding and duplicity. As the owner of the Bird Cage Saloon in Guthrie, Oklahoma, Tom Bradfield (George Brent) is enlisted by authorities to set up the Dalton Gang for arrest, but those plans go awry when the Dalton Brothers are beaten to the punch by Belle and the non-family members of the gang. Belle winds up half owner in The Bird Cage, and Bradfield begins courting the outlaw in what seemed like an ill fated romance, but as odd as it seems, Belle winds up siding with the saloon guy.
As for Belle Starr's turn as a singer at the Bird Cage, well I don't know, it seemed like she stepped right out of character and frankly, Russell's performance seemed a little embarrassing to me. Don't get me wrong, she looked great in the outfits she wore but her body tempo seemed more suited for the 1950's than the 1880's. She did a much better job in another film that came out the same year, "Son of Paleface" opposite Bob Hope in a comedy Western. She cut quite the impressive sight in her all black outfit, adding significant nuance to the name of the Dirty Shame Saloon.
In the final analysis, this picture either on purpose or inadvertently managed to portray the Daltons as the kind of bank robbers they were in real life, because as outlaws, they just weren't very good. They failed in their robbery attempt that closes out this story, which had some of the earmarks of the infamous Coffeyville, Oklahoma raid that ended their careers in 1892, leaving both Grat and Bob Dalton dead. What was kind of cool though was the closing subliminal tribute paid to Jane Russell's character from her very first picture. As the story ends she recreates her classic reclining pose from "The Outlaw" that's familiar to anyone who's seen that film. It's even used as the photo image for that movie right here on IMDb; check it out.
This is a curious story, as Belle Starr's allegiance to the Daltons, and particularly Bob (Scott Brady), is tested along the way through misunderstanding and duplicity. As the owner of the Bird Cage Saloon in Guthrie, Oklahoma, Tom Bradfield (George Brent) is enlisted by authorities to set up the Dalton Gang for arrest, but those plans go awry when the Dalton Brothers are beaten to the punch by Belle and the non-family members of the gang. Belle winds up half owner in The Bird Cage, and Bradfield begins courting the outlaw in what seemed like an ill fated romance, but as odd as it seems, Belle winds up siding with the saloon guy.
As for Belle Starr's turn as a singer at the Bird Cage, well I don't know, it seemed like she stepped right out of character and frankly, Russell's performance seemed a little embarrassing to me. Don't get me wrong, she looked great in the outfits she wore but her body tempo seemed more suited for the 1950's than the 1880's. She did a much better job in another film that came out the same year, "Son of Paleface" opposite Bob Hope in a comedy Western. She cut quite the impressive sight in her all black outfit, adding significant nuance to the name of the Dirty Shame Saloon.
In the final analysis, this picture either on purpose or inadvertently managed to portray the Daltons as the kind of bank robbers they were in real life, because as outlaws, they just weren't very good. They failed in their robbery attempt that closes out this story, which had some of the earmarks of the infamous Coffeyville, Oklahoma raid that ended their careers in 1892, leaving both Grat and Bob Dalton dead. What was kind of cool though was the closing subliminal tribute paid to Jane Russell's character from her very first picture. As the story ends she recreates her classic reclining pose from "The Outlaw" that's familiar to anyone who's seen that film. It's even used as the photo image for that movie right here on IMDb; check it out.