Award wins and nominations are the critics injoke punishing any gullible viewers who happen onto this low budget panorama of the jungle - canopy to floor.
If you have ever been into the equatorial jungle once you will never, never ever forget the experience of prickly heat, rashes, bites, itches. Sweat. That's the easy part. Even the super fit quickly get so exhausted they go 'troppo' with the heat and humidity and wander away in a daze, off the track never to be seen again.
In the Solomon Islands two American servicemen went missing in the jungle in WW2. Their bodies were found a week later - not more than 500 meters from their army base - of 500,000 men.
THAT kind of jungle 'feeling' you can never experience on a cinema screen.
The small budget is severely restrictive. Watching somebody stumbling through endless 'green' (unless you're a botanist) without a commentary by David Attenborough is crushingly boring. Interacting with the 'civilisation' he finds not on a distant par with the fabulous lunacy of Klaus Kinski in 'Fitzcarraldo' or Nick Nolte's inspired state of mind in 'Farewell to the King'
Distribution is consigned to low budget TV and cable channels. Recording and fast forward is the only suggestion.
If you have ever been into the equatorial jungle once you will never, never ever forget the experience of prickly heat, rashes, bites, itches. Sweat. That's the easy part. Even the super fit quickly get so exhausted they go 'troppo' with the heat and humidity and wander away in a daze, off the track never to be seen again.
In the Solomon Islands two American servicemen went missing in the jungle in WW2. Their bodies were found a week later - not more than 500 meters from their army base - of 500,000 men.
THAT kind of jungle 'feeling' you can never experience on a cinema screen.
The small budget is severely restrictive. Watching somebody stumbling through endless 'green' (unless you're a botanist) without a commentary by David Attenborough is crushingly boring. Interacting with the 'civilisation' he finds not on a distant par with the fabulous lunacy of Klaus Kinski in 'Fitzcarraldo' or Nick Nolte's inspired state of mind in 'Farewell to the King'
Distribution is consigned to low budget TV and cable channels. Recording and fast forward is the only suggestion.