Due to circumstances, Michael Duane and Lenore Aubert have to check into a hotel so they can get married the next day. Still unmarried, and needing to get his car fixed, Duane decides to search for a garage and pick up Aubert the next morning. The next morning however, he discovers his fiancé checked out of the hotel minutes after he left, which he cannot believe. Private detective Richard Lane overhears the conversation and decides to help him track down his fiancé. They drive back to Duane's apartment for some photos to help Lane. At the apartment Duane finds Aubert's old marriage license, she's a widow. When he hands over the photos and the license to Lane, Lane knocks him out cold and takes off! When he comes to, Duane realizes Aubert must be caught in something dangerous and heads for the estate of her dead husband, to find a clue...
Based on a short story by Cornell Woolrich, this was the last of the Whistler movies, and the only one without Richard Dix, who was in bad health (and would die the next year). It's still a worthy entry in the series, even if some of the twists are not too surprising. Duane, who had already co-starred in a another Whistler movie ('The Secret Of The Whistler') and Aubert do a decent job, as does the rest of the no- name cast. Aubert, who plays a French woman, does tend to forget her French accent quite often. Random trivia: uncredited actor Fred F. Sears would go on to direct many movies himself including a few noirs like 'Chicago Syndicate'.
While it's a B-movie, it's very lean and fast-moving thanks to director D. Ross Lederman ('Strange Alibi', 'Key Witness'), and it has above-average production values with some nice sets. The chiaroscuro cinematography by DoP Philip Tannura ('Key Witness', Edgar J. Ulmer's 'Strange Illusion') is really nice, and also features the necessary shadow of 'The Whistler' in some key scenes. All in all, not a bad way to end the series.
Based on a short story by Cornell Woolrich, this was the last of the Whistler movies, and the only one without Richard Dix, who was in bad health (and would die the next year). It's still a worthy entry in the series, even if some of the twists are not too surprising. Duane, who had already co-starred in a another Whistler movie ('The Secret Of The Whistler') and Aubert do a decent job, as does the rest of the no- name cast. Aubert, who plays a French woman, does tend to forget her French accent quite often. Random trivia: uncredited actor Fred F. Sears would go on to direct many movies himself including a few noirs like 'Chicago Syndicate'.
While it's a B-movie, it's very lean and fast-moving thanks to director D. Ross Lederman ('Strange Alibi', 'Key Witness'), and it has above-average production values with some nice sets. The chiaroscuro cinematography by DoP Philip Tannura ('Key Witness', Edgar J. Ulmer's 'Strange Illusion') is really nice, and also features the necessary shadow of 'The Whistler' in some key scenes. All in all, not a bad way to end the series.