This was another great 1930s film, but since I really like most 30s films, this one was great in a bit of a different way from others, and even other Mae West films. Mae plays an actress who's starring in a romantic thriller at the beginning of this film. Watching it includes young pretty fan (Isabel Jewel) of Mae's film character. Mae gets on stage live after the film. Can hardly imagine it now, how back then there was usually a live show right after the feature. And how audiences would stay seated enjoying the show next. Very few people today would have the patience to stay for a show immediately following a film. And how half the audiences back then usually had a few tears of joy at the end of a film, then everyone clapped. Just another of so many examples how people are so different today in every way.
Mae, after the show, wants to meet a man she's very interested in. Even though this film is post code, she still has a few sorta raunchy lines like "a thrill a day keeps the chill away". Other lines seem a little cleaned up from her lines in her pre code films like in "I'm no angel" and "Goin to town".
As Mae is getting ready for her date, her agent, Waren William tries very hard to stop her, but Mae doesn't listen. On her date, Waren pulls on sneaky act on her. He invites a truckload of press and news crew to horn in on the date. Mae's reaction is very amusing. That's another thing I love about Mae is that she never gets really angry or bent out of shape, she just gets even and seems to have a lot of fun doing so. Mae then wants to travel across country to meet a certain someone. On route, her Rolls Royce breaks down, and her driver gets a couple of locals just ahead of them to hook up to the Royce and pull it down the little country road. A quirky little scene there how the guys pulling the car shout out about a film star being in the Royce, and the passerbyers each making amusing comments back while Mae's rolling her eyes. Then they get to the quaint little country boarding house. There are Elizabeth Patterson as the slightly elderly owner, Gladys as a sweet young romantic, and Isabel Jewel, the star struck fan from the theater. Isabel is ecstatic by Mae being there. Gladys and Elizabeth try to make Mae feel very welcome. Mae doesn't want to stay there at first, until she sees strong Randolph Scott lifting the side of a car. The two of them hit it off, take a country walk together while getting more acquainted, and a nice moment of budding romance while Mae lays back into a haystack. I'll stop there. Get the film. Its hard to find a lot of old 30s and 40s films in stores now, but you can order them on a Amazon.com like I did. Or you can wait until they show it on TCM.
Mae, after the show, wants to meet a man she's very interested in. Even though this film is post code, she still has a few sorta raunchy lines like "a thrill a day keeps the chill away". Other lines seem a little cleaned up from her lines in her pre code films like in "I'm no angel" and "Goin to town".
As Mae is getting ready for her date, her agent, Waren William tries very hard to stop her, but Mae doesn't listen. On her date, Waren pulls on sneaky act on her. He invites a truckload of press and news crew to horn in on the date. Mae's reaction is very amusing. That's another thing I love about Mae is that she never gets really angry or bent out of shape, she just gets even and seems to have a lot of fun doing so. Mae then wants to travel across country to meet a certain someone. On route, her Rolls Royce breaks down, and her driver gets a couple of locals just ahead of them to hook up to the Royce and pull it down the little country road. A quirky little scene there how the guys pulling the car shout out about a film star being in the Royce, and the passerbyers each making amusing comments back while Mae's rolling her eyes. Then they get to the quaint little country boarding house. There are Elizabeth Patterson as the slightly elderly owner, Gladys as a sweet young romantic, and Isabel Jewel, the star struck fan from the theater. Isabel is ecstatic by Mae being there. Gladys and Elizabeth try to make Mae feel very welcome. Mae doesn't want to stay there at first, until she sees strong Randolph Scott lifting the side of a car. The two of them hit it off, take a country walk together while getting more acquainted, and a nice moment of budding romance while Mae lays back into a haystack. I'll stop there. Get the film. Its hard to find a lot of old 30s and 40s films in stores now, but you can order them on a Amazon.com like I did. Or you can wait until they show it on TCM.