6/10
Father Complex
2 January 2017
Warning: Spoilers
This is based on a deceptively simple best-selling novel by Giovanni Guareshi which achieved International popularity and this, initial film in an eventual five, replicated the success of the novel though over the years it has lost a little of its lustre. This isn't really the fault of director Julien Duvivier who is responsible for several 'clssic' titles in several genres from Un Carnet de bal through Pepe le Moko, Le Fin du jour, Marie Octobre to name only four; nor is it the fault of Fernandel who was almost certainly the ideal actor to portray the simple priest who thinks nothing of holding two-way conversations with God and is not averse to hand-to- hand brawling with the followers of communist mayor Peppone, the priests' rival for the affection of the small village population and with whom he enjoys a love-hate relationship. Like the novel the film is episodic and more a series of vignettes than a conventional story with a beginning, middle, and end and perhaps this is what takes the edge off what is nevertheless an enjoyable film.
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