6/10
Coming of age in the shadows
18 January 2017
Warning: Spoilers
"Die innere Sicherheit" or "The State I Am In" is a German movie from 2000, so this one is already over 15 years old. The writer and director here is Christian Petzold and he made this one together with his longtime collaborator Harun Farocki (rip). For Petzold, it was the first big screen release of his career after he mostly worked on television before that. He was roughly 40 back then and it is from the days when he did not yet work together with Nina Hoss on a regular basis. At 100 minutes, it is relatively long for a Petzold movie and it was a big success in terms of awards recognition. It was not chosen as Germany's Oscar submission, but it won Best Film at the German Film Awards back then and this was of course a big success for a relatively new filmmaker like Petzold. Since then, he certainly developed into one of Germany's finest and I like many of his works. But I would not say that this one here is among his best. I think Petzold usually really delivers in the realism department and he is never about happy feel-good endings that lack said realism and this is also true here. In terms of the action, it feels credible for the most part. But I had occasionally problems with the dialogues as they sometimes did not feel age-appropriate for the younger characters, including the main character played by Julia Hummer, who was a much bigger star a decade ago then she is now. But still you could argue that her character never grew up with people her age, so she may have adapted to her parents' style. Anyway, the actors overall do a good job I would say and Hummer certainly makes it work for the most part with a pretty good performance, especially for somebody her age. This is the story of a girl who has to grow up in secrecy as her parents are former terrorists living in hiding because they are still searched by the police. As a consequence, she has to move places all the time which keeps her from establishing connections and relationships. Things get a lot more complicated when she experiences love for the first time obviously. One of the film's biggest strengths is the bleakness and atmospheric touch and Petzold is always a master of this particular area. It is one of the main reasons to watch this movie.While I would not say it is among the very best from Germany between 1999 and 2001, it's still certainly worth seeing. Thumbs up.
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