The script is full of inconsistencies like plot holes a mile wide and characters who behave erratically and irrationally. True, the Zachary Scott character is undoubtedly supposed to be a psychotic nut — Scott plays him way over the top — but the others are certifiably sane despite their often odd behavior. It's a challenge to players to get realism as well as charisma into their performances under these circumstances, yet all succeed supremely well. Lloyd Bridges is almost too effective a villain, whilst Ruth Roman makes both a comely yet spirited heroine. (One of the screenplay's innovations for a class "A" western is that there's absolutely no romantic entanglements whatever. "Colt .45", as the name implies, is solid action all the way). We also enjoyed Alan Hale's persuasive study of a two-timing sheriff (this was his second last film appearance).
Despite the script's lack of credibility, it does have the three main requirements all western fans demand: action, more action and yet more action — enough in fact to supply four or five average "B" westerns. Director Marin keeps it boiling away at an exciting pace that never lets up. Technicolor, of course, adds considerably to the picture's appeal.
Despite the script's lack of credibility, it does have the three main requirements all western fans demand: action, more action and yet more action — enough in fact to supply four or five average "B" westerns. Director Marin keeps it boiling away at an exciting pace that never lets up. Technicolor, of course, adds considerably to the picture's appeal.