I completely fell in love with Elkabetz's final film Gett: The Trial of Viviane Amsalem. It's such a complete film I didn't realize until much later that it was the final piece in a trilogy, the first being To Take a Wife.
To Take a Wife works much the same way. You don't need to know that it is part of a trilogy, it works very well on its own. Ronit Elkabetz plays Viviane Amsalem. When we meet her she is completely silent, and remains so for a good portion of the running time. Men around her beg and plead with her. It's because Vivane wants a divorce from her husband, and her ultra religious family are appalled and want her to give her husband a chance. The scene ends with Viviane relenting, but the rest of the movie is preoccupied with showing just how bad the Amsalem's marriage is. In Gett, Viviane talked about the torture of their marriage, but it was never seen. In To Take a Wife, we learn just how bad things can get between two people who are completely ill suited to one another.
This is the debut film for Elkabetz and her brother and co-director. Unlike Gett this doesn't rise to the level of full masterpiece but it's an excellent showcase for Ronit nevertheless and her portrayal of Viviane is heartbreaking and feels real and lived-in.
To Take a Wife works much the same way. You don't need to know that it is part of a trilogy, it works very well on its own. Ronit Elkabetz plays Viviane Amsalem. When we meet her she is completely silent, and remains so for a good portion of the running time. Men around her beg and plead with her. It's because Vivane wants a divorce from her husband, and her ultra religious family are appalled and want her to give her husband a chance. The scene ends with Viviane relenting, but the rest of the movie is preoccupied with showing just how bad the Amsalem's marriage is. In Gett, Viviane talked about the torture of their marriage, but it was never seen. In To Take a Wife, we learn just how bad things can get between two people who are completely ill suited to one another.
This is the debut film for Elkabetz and her brother and co-director. Unlike Gett this doesn't rise to the level of full masterpiece but it's an excellent showcase for Ronit nevertheless and her portrayal of Viviane is heartbreaking and feels real and lived-in.