What if the person you were talking to on the phone really wasn't who you thought he was? That is the premise behind The Night Listener, based on a phone conversation between a radio show host and a young boy whose existence could never be proved. Unfortunately, in this case the true life events were likely more compelling than this bland adaptation.
For a basic plot summer, "Night Listener" tells the store of a radio talk show host (played by Robin Williams) who takes a liking to a young boy supposedly dying from a terrible disease. However, as the relationship builds, "Williams" has reason to believe that the boy may not be who he says he is (or even exist at all), thus leading to a personal investigation to find out the truth.
Now, had the film actually stuck to that basic plot line, it might have been a halfways decent thriller. Instead, for whatever reason, it focuses far too much on the personal demons of "Williams" (e.g. his character's homosexuality really doesn't add anything to the film, yet is explored in great detail). Also, the relationship between "Williams" and the mystery boy in question's mother is ultimately crucial to understanding the film's conclusion, but is again too much about HIS perspective, not HERS. Like I said, more focus on the mystery at hand would have made for a more compelling experience.
Thus, I think a 1.5-star rating perfectly pegs this movie, as it was only good enough to make you want to see how things turn out in the end, not so much caring about the journey to get to that point. Also, it comes nowhere close to, say, "One Hour Photo" in terms of establishing Williams as a serious actor and not just a manic comedian.
For a basic plot summer, "Night Listener" tells the store of a radio talk show host (played by Robin Williams) who takes a liking to a young boy supposedly dying from a terrible disease. However, as the relationship builds, "Williams" has reason to believe that the boy may not be who he says he is (or even exist at all), thus leading to a personal investigation to find out the truth.
Now, had the film actually stuck to that basic plot line, it might have been a halfways decent thriller. Instead, for whatever reason, it focuses far too much on the personal demons of "Williams" (e.g. his character's homosexuality really doesn't add anything to the film, yet is explored in great detail). Also, the relationship between "Williams" and the mystery boy in question's mother is ultimately crucial to understanding the film's conclusion, but is again too much about HIS perspective, not HERS. Like I said, more focus on the mystery at hand would have made for a more compelling experience.
Thus, I think a 1.5-star rating perfectly pegs this movie, as it was only good enough to make you want to see how things turn out in the end, not so much caring about the journey to get to that point. Also, it comes nowhere close to, say, "One Hour Photo" in terms of establishing Williams as a serious actor and not just a manic comedian.