You've got to hand it to a guy like Bill Rebane. I mean, you can laugh at his movies all you want (or be incredibly bored by them), but the man made a living as a filmmaker with virtually no money or talent in filmmaking. The guy was a brilliant salesman. This horrible movie was a huge box office hit, it was among the fifty most successful movies of 1975. Impressive for a director with no major studio backing who shot all his features in Wisconsin rather than Hollywood.
The movie itself is nearly unwatchable, but it's a great time document of how easy it used to be to find a cinema release for your movies. This is not worse than whatever you used to find at the bottom shelf at a video store, but paying good money to see this on a big screen? That's a whole different animal. Particularly because you have to wait a really long time to actually see the huge spider (which is clearly a Volkswagen with legs) the trailer promised you. Up until then you see a bunch of people that you never want to see again talk and talk and talk. By the time that thing actually shows up, you're already too numb from the tedium to even laugh at it.
Bill Rebane's movies can best be enjoyed when you know all the background to them. Rebane has a charming mom&pop style of filmmaking, mom (Barbara Rebane) is even credited as the assistant director. One of his daughters 'plays' one of the huge spider's legs. He sure writes great parts for women. It's made by a cast and crew that genuinely seems to be trying to their best, it's one of those movies that seemed way more thrilling to make than it is to watch. But you can't blame Rebane, he certainly did the best he could. He made a giant spider movie with 250.000 dollars, spent a lot of time with family and friends, actually sold the thing to theatres and somehow people still talk about it more than forty years later. That alone should earn him a place in film history.
The movie itself is nearly unwatchable, but it's a great time document of how easy it used to be to find a cinema release for your movies. This is not worse than whatever you used to find at the bottom shelf at a video store, but paying good money to see this on a big screen? That's a whole different animal. Particularly because you have to wait a really long time to actually see the huge spider (which is clearly a Volkswagen with legs) the trailer promised you. Up until then you see a bunch of people that you never want to see again talk and talk and talk. By the time that thing actually shows up, you're already too numb from the tedium to even laugh at it.
Bill Rebane's movies can best be enjoyed when you know all the background to them. Rebane has a charming mom&pop style of filmmaking, mom (Barbara Rebane) is even credited as the assistant director. One of his daughters 'plays' one of the huge spider's legs. He sure writes great parts for women. It's made by a cast and crew that genuinely seems to be trying to their best, it's one of those movies that seemed way more thrilling to make than it is to watch. But you can't blame Rebane, he certainly did the best he could. He made a giant spider movie with 250.000 dollars, spent a lot of time with family and friends, actually sold the thing to theatres and somehow people still talk about it more than forty years later. That alone should earn him a place in film history.