6/10
How come this didn't work better?
6 April 2017
This movie is not a typical "mystery thriller," at least not in the usual sense of the genre. The characters unravel intriguingly but very fluidly, and it is easy to relate to almost all of them (I bet we can all think of parallels in our own lives.) Theme-wise it is ostensibly presented as a suspense movie where an ex-cop (Kevin Kline) is re-instated into a homicide detective role to solve a brutal murder spree by a NY psychopath. There is an interesting subplot of unrequited romance between Kline's character and his brother's (who is commissioner of police) wife. Kline's artist friend, his new girl friend (the Mayor's daughter), and in fact the Mayor himself, are all amusing characters. But Kline is clearly the pivot of the movie, he turned what many might consider a very below standard screenplay and turned it into a very keepable film.

The first hour though really doesn't know what it wants to be. A murder, family drama, random eroticism, serial killer movie, comedy, thriller. It's all here and all flawed. Aiello has never been so typecast in a film, whenever he's on screen, he's just angry. Keitel just seem bemused by the whole thing and spends the majority of it staring at Sarandon, who I turn spends the majority of the film staring at Kline and stalking him. The rest of the cast are thankfully brilliant. Kline is as good as always, and is ably supported by Mastrantonnio, and another brilliant turn by Rickman. The film comes into its own when the Red Herring gets thrown in. The comedy and thriller aspect of the film meld into one and work, and it turns into a half decent movie.

Overall rating: 6 out of 10.
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