Review of Sleight

. . . that even young Urban Males who look like well-mannered, clean-cut school boys are Threats to Society. Looks are deceiving, SLEIGHT preaches. Despite being awarded a "free ride" to College, SLEIGHT's anti-hero "Bo" rejects it in favor of a Life of Crime. Though Bo is depicted as selling "Molly" and "Coke," SLEIGHT implies that Urbanites such as Bo would be more than happy to seduce, corrupt, and overdose Pale Suburban Yokels on Mayonnaise Packets, if only the Government would outlaw Mayo. Crime is the Guiding Light for SLEIGHT's protagonists. Bo might LOOK as if he would not harm a fly, but then he brutally whacks off a rival pusher's hand with five blows from a dull meat cleaver. Two minutes later Bo's shown enjoying premarital sex with his college drop-out lover, as if nothing out of the ordinary has happened. No matter how many peanut inventions George W. Carver has under his belt, SLEIGHT shows that Urban Think Tanks Today innovate new things solely to aid and abet their Outlaw Activities. If you see SLEIGHT, better exit the theater with a brown paper bag over your head. Otherwise, people might accuse YOU of being Racist for devoting your money in support of such a Racist Program.